The Acceptance Study Of The Image Of "Eugene Onegin" In The History Of Modern Literature

Pushkin’s long poem Eugene Onegin has attracted great attention since it was introduced into China,and the image of "Eugene Onegin" has been explained several times,presenting a different social significance.There are a group of intellectuals in the history of modern Chinese literature who were influenced by the "the May 4th Movement" boom and determined to devote themselves to the transformation of Chinese society,but due to the times,society,culture and many other factors,they could not find their own position,resulting in negative characteristics such as melancholy,melancholy and hesitation.These characteristics and "Eugene Onegin" is very similar,To investigate the origin,it is found that there is some direct or indirect factual connection between modern Chinese writers and Onegin’s image,so this paper from "Eugene Onegin" image in the beginning of modern literature,discusses its image in the interpretation and acceptance of this period.The first chapter is "The evolution and translation of Eugene Onegin’s image in modern China".The spread of the image of "Eugene Onegin" in modern China and the translation of the text are summarized in chronological order.With the boundary of time,the paper focuses on the differences in the understanding of Onegin image between Chinese critics and writers in the 30 years of the history of modern literature.In terms of translation and introduction,we sorted out the fragmentary translations and only two translations of Eugene Onegin before the founding of the People’s Republic of China,to understand the small problems and impacts of these early translations.The second chapter is "The Interpretation and acceptance of Eugene Onegin’s image in modern China".From the perspective of critics’ interpretation and the perspective of writers’ acceptance of creation.Critics take Ba Ren,Xu Zhongyu and Lv Ying as examples.Based on their own different life experiences,they have dialogues with Onegin.In their eyes,Onegin’s image features are no longer distant,abstract and dogmatic lectures,but a fresh,painful and intelligent soul.Writers take Lu Xun,Qu Qiubai and Lu Ling as examples.Based on their own understanding of the image of Onegin and from the special social environment of China,they create their own "Eugene Onegin" from different perspectives.These Chinese "Onegin" share the fate and breath with Chinese readers,which makes the image of Chinese modern literature constantly complicated.The third chapter is "the image of Eugene Onegin in modern China acceptance representation".Starting from the specific works,Starting from the specific works,the author focuses on analyzing the writers’ acceptance of Onegin’s image,taking Lu Xun’s short stories "In the Drinking House" and "The Lonely Man" and Lu Ling’s novel "Tycoon’s Children" as the acceptance texts.This paper compares the psychological characteristics and behavior of Lv Weifang,Wei Lianshu,Jiang Shaozu and Jiang Chunzu.and analyzes Lu Xun’s and Lu Ling’s uptake of Onegin’s image characteristics when writing,so as to explore the similar characteristics between these characters and Onegin in aspects of thought,emotion and behavior.The fourth chapter is "the whole logic of Eugene Onegin’s image acceptance".Focus on the internal and external logic that modern Chinese critics and writers accept of Onegin.From the three perspectives of the change of The Times and society,the construction of the nation and culture,and the correspondence between the text and the reader.First,it is recognized that writers recognize the characters of Onegin from similar social backgrounds;Secondly,on the basis of interpretation and acceptance,modern Chinese critics and writers are willing to find out the meaning of Onegin’s life at different levels,and then express their unique values of life.Finally,based on Gadamer’s theory of "fusion of horizons",the paper focuses on the bilateral interaction between modern Chinese writers and Onegin when they accept his image.To sum up,since the image of "Eugene Onegin" was introduced into China,his rich connotation has been paid attention to by modern critics and writers.In this process,their continuous interpretation and acceptance not only inherited the image of Onegin,but also greatly enriched the complexity of the image of modern literary characters in China.