Textual Studies And Emendation Of Tang Hou’s Huajian

Hua Jian written by Tang Hou is an important art literature in the middle of Yuan dynasty.The new ideas in this book,such as Guyi and Xingsi,have influenced later generations.This book not only inherits the ideas of Mi Fu,Zhao Mengfu and others,but also has a lot of its own research.However,there are still some problems in the study of the title and edition of Hua Jian and Tang Hou’s life.In this paper,first discusses the evolution of the title of Hua Jian in different periods with the knowledge of bibliography,and then sorts out the edition relations among different manuscripts and block-printed editions of Hua Jian,and on the basis of past research,take Hua Jian as an example to explore the mid-Yuan dynasty calligraphy and painting identification and collection of style and features.This paper is divided into two parts.First of all,in the first part,the author mainly introduces the source of the wrong view that the author Tang Hou is a person of the Song Dynasty,and then discusses the origin relationship of the various versions of the existing Hua Jian,and analyzes the situation of Hua Jian in different versions of Shuo Fu.On this basis,this paper analyzes the data sources of Tang Hou in the process of writing,and understands the circulation of art literature in the mid-Yuan Dynasty.At the same time,the relationship between Hua Jian and Xia Wenyan and Qin Zuyong is discussed,as well as the problem of Niu Jian ’s fake book Hua Ping based on the Hua Jian.Finally,it discusses Tang Hou’s view of art appreciation and analyzes the inheritance and development of his appreciation concept.The second part is the collation edition of Hua Jian.The collation edition is based on the Hua Jian in the Cheng Shi Cong Ke collected by the National Library of China in the 43 rd year of Wanli,Ming Dynasty.This paper also refers to the Niushi Shixue Lou’s Shuo Fu transcript in Ming Dynasty and the Shuo Fu transcript in Gengshen year of Hongzhi,Ming Dynasty collected by the National Library of China,the Shuo Fu transcript in Ming Dynasty at the Lange Hanfenglou,the Shuo Fu transcript in Ming Dynasty at the Hunanshushe,the Shuo Fu transcript at the Jiguge collected by the Library of Linhai,the Hua Jian transcript at the Yezhuzhai of Shen Family in Ming Dynasty,the Tie Wang Shan Hu block-printed edition by the Guangjishanfang of Du Family in the 23 rd year of Qianlong,Qing Dynasty,the Shuo Fu block-printed edition by the Wanweishantang in the 3rd year of Shunzhi,Qing Dynasty,the Qun Fang Qing Wan block-printed edition in the 11 th year of Shunzhi,Qing Dynasty collected by the Zhejiang Library,the Fengjiangshuwu of Yang Family collects Hua Jian transcript at the Cishulou of Jiang Family in Qing Dynasty,the Xue Hai Lei Bian version of wood movable type printing made by the Chao Family in Lu ’an in the 11 th year of Daoguang in Qing Dynasty,the Shan Hu Wang block-printed edition made by the Zhang Family in Wucheng in 1916.