The Study Of "Wang Ji Guan Ma Tu" By SongHuizong

The known series of works of Wangji Guanma Tu are all fake works.The scheme is a typical representative of the fake works.It was painted by Song Huizong.There were two paintings in the Qing Dynasty,and Qianlong inscribed poems on it.It also triggered the group viewing and discussion of the two dynasties of the yuan and Ming Dynasties.It can be seen that the historical value of fake works,which have a long history and are widely spread,is no less than that of real works.Because it involves more,it even exceeds real works in the amount of information attached.In this paper,the research object is Wangji Guanma Tu painted by Zhao Ji,Song Huizong.It adopts the research path similar to the image science before knowledge generation,original environment and methodology.Starting from the main version manufacturing motivation,it speculates the existence of the mother book and verifies the mother book author.It strips away the accumulated wrong ideas.Through the restoration of the historical concept context and the investigation of specific images,the image plot of Wangji Guanma is analyzed,It was corrected to "Wangji Temple medical horse".In this paper,it is confirmed that the main version of Wangji Guanma map was manufactured,and it is clear that the Liao Bo book was the collection of Xiang yuanbian in the Qianlong period.The Imperial Palace was originally made by Guixi in the seventeen years of Shunzhi in the Qing Dynasty(1,660).To clarify the concept of "painted by Emperor Huizong of the Song Dynasty" is an added creation of the people of the Yuan Dynasty.The mother author should be Zhu Yao,who was sent by Wu Daozi.Moreover,the image mode of Zhu Youben may be changed to draw the map of horse addiction from Wu Daozi.It was found that the horn cup shaped object in the picture of Wangji watching horses was "animal used medicine filling device",so the plot explanation of "Xiangma" was a misunderstanding,and the actual plot was that Wangji was watching other people’s "medical horse".At the same time,as a representative of the human horse painting system,Wangji Guanma created the image mode of "Guanyi horse" besides Xiangma.On the basis of reflecting the scholars’ desire to be appreciated,it expresses the deep psychological needs of the scholars group to be treated well and understood,and to reach the state of king and minister.The loss of the original meaning of the motif "Wangji Guanma" is caused by the lack of universality of the concept of the symbolic function of key items,the single mode of image translation,and the traditional narrative squeeze of Xiangma.This paper attempts to explore the cultural connotation of Wangji Guanma Tu from the perspective of art history,and restore the era concept context.It is hoped that through case studies,more perspectives and research approaches can be provided for the neglected "forgery".