| "Russian Symphonic Dramatic Ballet" is the third stage in the development of the Russian genre of choreography during the Soviet period,which originated with the famous Russian ballet master Yuri Grigorovich.This iconic figure of "Russian symphonic theatrical ballet",who was the director and chief choreographer of the Bolshoi Ballet for 31 years,has successfully fused "theatrical ballet" and"symphonic ballet" through his numerous choreographies.Through his numerous choreographies,he has successfully combined the strengths of both "theater ballet" and "symphonic ballet",thus securing his position as a major figure in the world of ballet.Among them,the symphonic theatrical ballet "Spartacus" is the most typical.This thesis takes Grigorovich’s symphonic theatrical ballet Spartacus as a case study,and on the basis of the development of Russian symphonic theatrical ballet,clarifies the concept of "symphonic theatrical ballet" in dance theater creation,as well as its difference and relationship with "symphonic ballet"."The thesis then summarizes the historical experience of Russian symphonic theatrical ballet in order to make up for the shortcomings in this field of study in China.The thesis is divided into three chapters,in addition to an introduction and a conclusion.The first chapter explores the origins and development of Russian symphonic theatrical ballet on the basis of the life of Yuri Grigorovich,the iconic figure of Russian symphonic theatrical ballet,and his history of symphonic theatrical ballet creation.The second chapter takes the representative work of Russian symphonic theatrical ballet"Spartacus" as an example,and discusses the artistic characteristics of its "symphonization"from three levels:dance structure,dance music and dance language.The third chapter is based on the "symphonic construction model of dance drama based on the concept of symphonic music ’symphonization’","the composition of the plot by the"symphony of human movement",and "the creation of dance drama based on the concept of symphonic music ’symphonization’".The third chapter summarizes the historical experience of Russian symphonic theatrical ballet with the research contents of "the model of symphonic construction of dance theater based on the concept of "symphonicization" of symphony","the composition of plot by "symphonic human movement"",and "the aesthetic pursuit of symphonic dance in the creation of dance theater". |