Research On Xu Haofeng’s Martial Arts Novels

The passing of tradition allows Xu Haofeng to study it as an object,and at the same time use it as a caring object to reflect on himself.The collision between tradition and modernity is constantly revealed in Xu Haofeng’s novels.The devaluation of the body brought by modernity makes the martial arts in the novels.As a dirge of the times,Xu Haofeng has thus become an "intermediary" connecting tradition and modernity.He can neither fully accept everything brought by modernity,nor can he truly return to tradition.As a nostalgic person,he tells the reconstruction of ritual music.This kind of "intermediary" status made Xu Haofeng unable to return to any group.He used an "exiled person" to recall the original face of martial arts in the "nostalgia" of martial arts that had passed away,and also tried to learn from the truth.Starting from the martial arts and martial arts,Xu Haofeng re-purifies the traditional culture and order that has been buried,and re-interprets the path choice of where the Chinese nation came from and where it will go under various nostalgia and "nostalgia".At the same time,Xu Haofeng’s literary sense Born out of the current society,Xu Haofeng’s anxiety about "destruction of rituals and music" made Xu Haofeng work tirelessly to paint his ideal "traditional China" in his novels.This unique sense of culture and the times makes Xu Haofeng’s novels with classical The warmth and modern imagination of Xu Haofeng have given Xu Haofeng an extremely unique and important position in the contemporary trend of thought.Therefore,interpreting Xu Haofeng’s novels is not only the best window for a glimpse of tradition,but also a key to examine the current society.This paper is mainly composed of three parts: introduction,body and conclusion.The introduction mainly expounds the research status and significance of this paper.The main text is discussed in three chapters,the main contents are as follows:The first chapter explores the expression of Chineseness in Xu Haofeng’s novels with etiquette and rules as the core.Xu Haofeng’s novel creation rescues martial arts novels from deconstruction and confused exploration,replaces the meaningless theme of Xingxia,which is emphasized in new martial arts creations in Chinese mainland,with a continuation of etiquette and rules,and reconstructs Jianghu and martial arts.The group of plastic warriors not only shows the "like" of the older generation,but also continues traditional China through novels,so as to recall the awe of etiquette in the current society.The second chapter interprets the unique expression strategies of Xu Haofeng’s novels.Xu Haofeng’s novels have the shadows of hard-line martial arts and ancient dragon martial arts at the same time,but Xu Haofeng’s novels adopt the intruder structure model of "break-in-fight-run",the simple and "poetic" language style,and the pursuit of "documentary".The historical delicacy and whimsical temperament produced by the meaning have brought a unique aesthetic style to Xu Haofeng’s novels,and also created conditions for him to restore tradition in his novels.The third chapter explores the inner source of the spiritual core of Xu Haofeng’s novels.Xu Haofeng’s efforts to find the roots of martial arts and tradition in his novels share the background of China’s rapid rise with the ideological context of "Civilized China Theory".Both of them focus on traditional culture,but Xu Haofeng’s novels emphasize more on the fracture of culture.He continued the cultural identity of the Chinese civilization by re-inventing the Republic of China,and sought a cure for the current situation of "destruction of rituals and music".The conclusion part is a summary of the main content of this article.While classifying Xu Haofeng’s Chineseness as traditional Chinese "cultural selfconsciousness",it also conducts preliminary research on the tendency of "from ritual to heart" shown in Xu Haofeng’s recent novels.