The Audiovisual Performance Of Memory Reconstructed In Films

Memory reconstruction is based on the premise of social or individual worldview,after experiencing real problems and life experience,forming creative image thinking,and presenting works of art "real" on the screen through the audio-visual performance of movies.Time becomes the premise for the reproduction of memory reconstruction,and the memory process often entrains personal emotions and is full of sensibility.In the process of using memory to reconstruct the creation,the creator can reproduce the memory through artistic methods such as text,painting,sound,and video,and reconstruct the memory.This paper mainly studies how to use film to reconstruct memory to reproduce memory.Due to the uncertainty,ambiguity and plasticity of memory,there will be more possibilities when exploring the innovation of film.This article attempts to start with memory reconstruction and the audio-visual language of films,and discusses how creators use their own perception of film to create film,using past memory moments as creative materials to generate film,and analyzes how to use the audio-visual language and narrative methods of films,to reconstruct memory.First of all,image perception revolves around three parts:fragmented memory,memory calling and screen reality,expounding how films creation utilizes the potential memory linked by fragmented memory and memory summon to construct screen reality with film as a carrier.Secondly,it will focus on space-time memory,discuss the memory represented by images in the time dimension and space dimension,and discuss the multiple time-space transformations in memory reconstruction.Finally,it mainly starts with audio-visual construction,According to the audio-visual language of the film,it analyzes the visual expression and sound performance in memory reconstruction,and uses film editing to realize the reconstruction of memory movie.In this article,the author is also exploring the narrative possibilities presented by the reconstructed memory when using images to represent memory,as well as the audio-visual construction of the "reality" of the screen.