On Spatial Representation Under Intuitive Field Of View

By analyzing Frank Auerbach’s "Portraits of E.O.W" series,this paper expounds the similarities and differences in the series of works presented by the painter’s direct sketches from four aspects: space,color,picture texture and intuitive perception of the audience,so as to show the influence of the "image" factor of memory in intuitive sketching on "visual reality" and style.The author divides the "line of sight" present into two aspects: "presence line of sight" and "overall image"(derived from memory),and explains the close and distant picture space expression presented in Auerbach’s visual paintings.The first chapter presents the painter’s real intuition through the analysis of "E.O.W’s Head Number Two" and the superposition of Auerbach’s vision.The second chapter analyzes the visual extension in the painter’s painting through the "sense of touch" of vision and the memory component in vision.The third chapter expounds the dislocation in the painter’s painting through the sections "The Inner Balance of Feeling","The Capture of Reality in Constant Change",and "Visual Reality".The final fourth chapter discusses the real and spatial representation of the painter’s painting through "suspension and extraction of everyday experience" and "deconstruction and reconstruction in depiction".Auerbach interprets his visual reality with trace-stacked,relief-like paintings.This kind of "visual reality" of intention to stack intentions is a kind of unified photography of all aspects of the painter.The immediate feeling of the picture is the intervention of a pure image.The intervention of this sense of imagery in the process of painting corresponds to the natural generation mode of continuous emergence and obscuration,and the process of continuous deconstruction and reconstruction of the current feeling corresponds to the reality of the existence of painting under the intuitive field of view.