| This paper takes Chinese piano works as the main research object,based on the characteristics of The Times of Chinese piano works in various periods,from the perspective of ideology and music ontology.Explore the development process of Chinese piano music nationalization.The purpose of this paper is to explore how to make piano,an instrumental music with Western characteristics,speak "Chinese language".Based on the examples of the works performed in higher education institutions,this paper explains how the composer perfectly integrates traditional and regional Chinese folk music with modern creative techniques.At the same time.From the perspective of ideology,education,creation,performance and so on,to discuss the "Chinese dream" on the black and white keys.In the first part of this paper,literature induction is used to sort out the development history of Chinese piano for more than 70 years.And roughly classified according to the period of more than 1000 pieces/piano works,for the following two or three chapters to lay a good foundation.The second part of the article uses qualitative description,through music ontology analysis for detailed discussion.The intention is to clarify clearly what "nationalization" of Chinese piano works "is".The third chapter is based on the author’s actual learning experience,and the development of Chinese piano music from the creation,performance,educational significance and other aspects of thinking. |
