A Study Of Bai Xianyong's Novels From The Perspective Of Cultural Integratio

Bai Xianyong has unique thoughts on the fate of Chinese culture in the rich and diverse cultural context.These thoughts are reflected in many of Bai Xianyong’s novels.Therefore,guided by the theory of "cultural integration",he grasps the evolution of his cultural choices and the choice of cultural strategies from a macro level,and examines his text practice and author’s subject from a micro level.It is of great significance to study the specific paths and methods of its cultural identity.This thesis is divided into three chapters except the introduction part.The introduction is divided into three parts.Firstly,the general situation of Bai Xianyong’s research is sorted out;then,through the interpretation of the theory of "cultural break-in",it is pointed out that the break-in of Xianyong’s novels is possible;finally,the significance of studying Bai Xianyong’s novels from the perspective of "cultural break-in" is clarified,that is,this perspective can The breakthrough sought.The first chapter is the running-in of multicultural psychology.The purpose of this chapter is to explore Bai Xianyong’s main growth process,mainly from three aspects.First,to explore Bai Xianyong’s ideological background from his personal growth,childhood illness made him pessimistic and sensitive,and the impact of European wind and rain during the Taiwan University period In the middle,he turned to modernism,and when he went to study in the United States,he was able to re-examine traditional culture in a heterogeneous culture,and finally formed the ideological and emotional background of the combination of modernism and traditional culture;secondly,Bai Xianyong took homosexuality as his self-identification As an opportunity,he established a dialogue and exchange with modernity in the rebellion against tradition,and tried to realize the dynamic development of culture.And on the basis of reflecting on the tradition,the self-identity is led to the emphasis on the living conditions and happy life of the subject.At this point,the multiple cultural identity of the subject has been established,showing the dual demands of adhering to traditional values ??and realizing personal values.Third,Bai Xianyong formed a world outlook and a life outlook of compassion and compassion in the integration of broad religious thought and existentialism.He found strategies for self-liberation in Buddhist thought and elevated the perceptual experience of life to a rational level in existential theory.The running-in of these two ideological systems eventually created Bai Xianyong’s view of life with compassion and compassion.The second chapter,the running-in of "Cultural China" in the novel.Bai Xianyong’s novel creation reflects his constant adjustment of cultural strategies in the process of cultural adjustment.In his early works such as "Taipei People",he wrote about the loss of historical sense in the integration of tradition and modernity,which means that traditional culture is not only facing the decline of There will be no successor to the crisis.The New Yorker and other works show that the author not only realizes the inferiority of traditional culture in the process of modernization,but also realizes that traditional culture is the root of China in the heterogeneous cultural space,so he is actively looking for ways to make traditional culture come alive.new path.In the later period,the novels represented by "Niezi" and so on searched for the common points between Chinese traditional culture and Western modern value system,and realized the modern transformation of traditional culture through the common points.Therefore,he actively explored the rationale for cultural diversity and openness from traditional culture,and at the same time tried to integrate the value system of Western modern culture and the spirit of freedom and rationality into traditional culture."Tradition" is the practice guideline of "reconstruction of Chinese culture" in which tradition is the body and modernity is the use.At this point,the dynamic concept of "Cultural China" has been formed,and Bai Xianyong has established a "Cultural China" concept based on Chinese culture at both the theoretical and practical levels,with the purpose of realizing the revival and unification of Chinese civilization.The third chapter,the running-in of novel art.This chapter examines the evolution of literature and art from the cultural trend of thought,mainly from three aspects:literature and art concept,novel skills and interpenetration of literature and style.First of all,Bai Xianyong grew up when the left-wing local literary trend,the right-wing liberal trend of thought and the modernist trend of thought were agitating each other.In such a cultural field,he was tolerant and inclusive.The literary and artistic concept of "harmony but difference".Secondly,his literary view is embodied in the novel art.In terms of novel technique,form,theme,etc.,it embodies the text practice guidelines of taking the classics as the body and the modernity for the use,actively integrating the tradition into the modern,and consciously examining the tradition with the modern.Finally,consciously carry out the practice of stylistic interpenetration.The stylistic interpenetration characteristics of prose novelization and novel prose culture increase the stylistic tension and literary expressiveness,showing the individual’s unique understanding of the world.In the conclusion,Bai Xianyong’s main body formation process and literary creation are all running through a clue to realize the renaissance of Chinese culture.He has a clear sense of Chinese culture standard in the hard work between Chinese and Western cultures,tradition and modernity,and he is looking for a way.The road of reconstruction of Chinese culture has implications for the development of Chinese culture in the future.