| Tibetan culture is not only an important source of Alai’s creation,but also the most remarkable feature of Alai in the contemporary literary world.The uniqueness of Tibetan culture in Alai’s novels lies in how he views and presents Tibetan culture,how he grasps the spiritual core of Tibetan culture,and how he prospects and reflects on the development direction of Tibetan culture.Due to the dual cultural background of Han and Tibet,Alai has a cross-cultural perspective.Multiple cultural resources enable him to step into the world of Tibetan culture from the consciousness of national identity to show the historical changes,joys and sorrows of Tibet.At the same time,he can peel off the individual and ethnic restrictions,and use the “other” perspective of "universality",intellectuals’ rational vision and humanistic compassion to look at the developmental limitations and cultural difficulties of Tibet,and to have a dialogue with the common destiny of mankind.Alai emphasizes that the development of Tibetan culture should be viewed dynamically.Under the contradiction between nationality and modernity,facing the question of where Tibetan culture will go in the future.Alai not only adheres to his own national culture,but also feels helpless and frustrated about the unavoidable changes in national culture.In the creative process of breaking wonders,restoring reality,returning to nature and reconstructing divinity,Alai himself also falls into the antinomy of digestion and construction,forming a two-way thought of Tibetan culture between disenchantment and re-enchantment.This paper focuses on how Alai views and expresses Tibetan culture,explores Alai’s dual special values in minority literature and contemporary literature.And around Alai’s novels,related essays,papers and interviews,combined with the existing research results,this paper studies the Tibetan culture in Alai’s novels by using the critical paradigms of cultural anthropology,religious culturology,cultural research and text close reading.This paper mainly discusses the following parts:The first part is the introduction,which combs and summarizes the research status of Alai’s novels and and Alai’s Tibetan cultural writing,and expounds the feasibility of Alai’s novels and Tibetan culture research.The second part is the first chapter of this paper,which mainly discusses the writing origin of Tibetan culture in Alai’s novels.This chapter analyzes the writing origin of Tibetan culture in Alai’s novels by combing Alai’s personal growth process,the origin of Tibetan culture in his novels,the cognition of Tibetan culture from the perspective of “others”,and Alai’s own cultural attitude.The third part,the second chapter,discusses the presentation of Tibetan culture in Alai’s creation.This chapter mainly focuses on the institutional culture,religious culture and folk culture in Alai’s novel creation,and analyzes how the traditional Tibetan culture penetrates into the Tibetan people’s daily life and spiritual world,so as to form a unique national style.The fourth part,the third chapter,discusses the reflection of Tibetan culture from the perspective of modernity.This chapter mainly discusses Alai’s reflection on the development of Tibetan culture from the perspective of modernity in his creation,focusing on the contradiction between modernity and nationality,the two-way thinking of disenchantment and re-enchantment,and the dynamic prospect of the developmental direction of Tibetan culture,showing that Alai not only adheres to Tibetan traditional culture,but also has a modernity perspective of critical examination of Tibetan culture.The conclusion mainly considers the developmental dilemma of Tibetan culture and ethnic minority culture under the process of globalization and modernization on the basis of the discussion of the main text.The study of Tibetan culture in Alai’s novels plays an important role in interpreting the rich connotation of Alai’s novels and excavating Alai’s literary and cultural value in the history of contemporary literature.In addition,starting from regional culture,it is of far-reaching significance for the construction of "cultural China",the creation of a multicultural circle and the protection of ethnic minority culture and border culture. |
