Intangible Cultural Heritage Protection In Qianyang,Shaanxi Province On The Inheritance Of Bata Bata

Shaanxi Qianyang Bata stick is a traditional folk dance inherited from Qianyang County in the north of Baoji City,Shaanxi Province,China.It is also one of the first local folk treasures in Baoji City to become the national intangible cultural heritage of Shaanxi Province.It is said that at the end of the Qing Dynasty,local people used drums for fun in their spare time and used "double headed sticks" to fight each other.Later,it evolved into a fixed performance mode of eight people fighting in pairs.In the process of development and formation,the duel form of eight dozen sticks is gradually combined with the stylized performance method,which has become an indispensable part of folk community fire performance.Eight dozen sticks are rough and bold.When the fight is fierce,we strive to fight with real sticks every time.The dance is lively and the pace is stable.Sometimes two sticks fight with each other,and sometimes swing the stick to sweep the hall.The duel is intense and the dancers are in high spirits.When the two sticks fight each other,there is a huge collision sound,which adds phonological changes to the accompaniment music of gongs.The vigorous body of dancers is like the training of soldiers and soldiers in ancient China when practicing martial arts,and it is also like the training of folk boxers in strengthening martial arts.The performance of eight dozen sticks pays attention to the collective spirit and real sense,and requires the coordination,change and unity of performance actions and tacit understanding.The performance should be energetic,emotional,powerful and accurate,showing the people’s heroic martial spirit and folk temperament.However,with the development of society,bata bata,as a primitive folk dance performance form,its development has been affected by manpower,material resources and other aspects.However,Mr.Zhao Chongke,the inheritor of bata Bata,hopes that bata bata can have new vitality,so as to revive itself on the basis of preserving the distinctive artistic characteristics of bata bata and try to open up a new way in the performance form of bata Bata.This paper will combine the background of the "eight stick" abide by integrity,interpretation,sustainability,this can be true four basic principles,from the perspective of non-material cultural heritage protection,from the perspective of historical context evolution up to pursue "eight stick",in-depth excavation of the "eight stick" conditions,sums up eight dozen stick,the formation of the style of acting in history;From the artistic form,inheritance way,dissemination way and development space,the present situation of "Bata-bata" is analyzed.This paper analyzes the value and connotation of bata-bata from the perspective of cultural value and social value development.This paper analyzes the "local nature" and the path of development and transmission from the perspective of living inheritance,and refined,adapted and created qianyang "Bata-bata" from the perspective of dance drama creation.This paper tries to find a new form that can promote the research,development,inheritance and protection of badagu through a detailed analysis of its dance movements and fixed performance program.Combined with practice,the theory was applied to the creation of the dance drama of my original graduation party "Sand Sea Without Gate",and the path mode of inheritance and development of intangible cultural heritage dance was considered in the creation.Make contribution to the inheritance and development of qianyang Batastick folk dance art.