Research On Zeng Fanren’s Ecological Aesthetics Thought

Ecological aesthetics is a brand-new form of aesthetic theory in the new period.Because of its strong reality,it has been widely concerned by academic circles since 1990 s,and Zeng Fanren has also become an important pioneer of ecological aesthetics theory.Zeng Fanren’s ecological aesthetics thought is rooted in contemporary practical existential philosophy,absorbing the ecological philosophy of Marx and Engels’ materialist practice,Heidegger’s and David Griffin’s philosophical views on ontology,and the ecological philosophy wisdom of "the unity of man and nature" in ancient China,establishing the principle of ecological holism in ecological aesthetics research,and on this basis,putting forward a brand-new ecological existential aesthetic view including ecological dimension.Zeng Fanren focused his research on ecological aesthetics on the exploration of people’s aesthetic existence.With a strong sense of problems,he constantly deepened the tentacles of ecological aesthetics extending to reality.Through the exploration of ecological aesthetics,ecological criticism,urban construction and aesthetic lifestyle,he worked hard to integrate ecological aesthetics with real life and push aesthetics towards life.At the same time,Zeng Fanren also pays attention to the inheritance and creative interpretation of Chinese traditional ecological culture.He regards traditional life aesthetics as an important starting point for the exploration of Chinese discourse of ecological aesthetics,makes ecological interpretation of life aesthetics,and constantly explores the localization of ecological aesthetics,which is an active attempt to build Chinese discourse of ecological aesthetics,which is of great significance.Zeng Fanren’s ecological aesthetics thought,from the perspective of human’s true existence,introduces the ecological dimension into aesthetic research,devotes himself to improving the un-beautified living reality of human beings,and strives to bridge the ancient and modern discourse of ecological aesthetics,which is the new development and extension of aesthetics in the contemporary era and has important theoretical value.Apart from the introduction,this paper mainly discusses Zeng Fanren’s ecological aesthetic thought from four parts.The first part combs the philosophical basis of Zeng Fanren’s ecological aesthetics.This paper mainly explores Zeng Fanren’s ecological aesthetics’ exploration and absorption of ecological philosophy in materialistic practice,western contemporary ontology philosophy and Chinese classical ecological view of "harmony between man and nature".The second part discusses the content construction of Zeng Fanren’s ecological aesthetics.Contemporary ecological existentialism aesthetics,realistic extension of ecological aesthetics and ecological interpretation of traditional life aesthetics are the main contents of Zeng Fanren’s ecological aesthetics research.Through in-depth and meticulous research in these three aspects,Zeng Fanren’s ecological aesthetics thought can be fully grasped.The third part mainly expounds the theoretical value of Zeng Fanren’s ecological aesthetics.The reflection and transcendence of practical aesthetics and the exploration of Chinese discourse of ecological aesthetics are considered.The fourth part reflects on the theoretical and practical problems of Zeng Fanren’s ecological aesthetics.Zeng Fanren’s ecological aesthetic thought is an important branch of contemporary aesthetic research,and also an important theoretical form in the field of contemporary ecological aesthetic research.It shows unique academic value and practical significance in gazing at the existing significance of the whole ecology,paying attention to social reality and life,inheriting local culture and demonstrating Chinese style.If it can be better combined with life practice and cultural reality,this aesthetic form will certainly play a strong role in promoting the construction of ecological civilization and beautiful China.