Research On Musical Characteristics And Singing Style Of Opera Long March

The opera contains a variety of art forms,integrating vocal music,dance,chorus,design,aesthetics,etc.,and presenting them to the audience through stage performances.After the liberation of New China,national opera gradually became one of the important genres,more and more composers will spend recent years to prepare and create works with our national musical style,and many excellent plays will attract wide attention and recognition.Nowadays,retaking the Long March road and carrying forward the spirit of the Long March has become a hot topic,and the Long March,as one of the important historical themes,provides many materials for composers to conceive operas.Since the victory of the Red Army’s Long March in 1936,composers have set out to show this history on the stage through the comprehensive art of opera,although Chinese opera at that time had just entered the exploration period,and all aspects of the materials were incomplete,and Li Bozhao,as a Red Army dramatist,used her personal experience to create the first opera since the founding of New China-"Long March"(1951),after more than 60 years,in 2016,Yinqing re-created the opera "Long March"(2016)in the context of a new era.,after the premiere was unanimously recognized.The two operas have had a profound impact on different periods of different eras through the creation of the same subject matter.This paper sorts out the existing data,takes two operas of different periods of the Long March as the main research objects,and compares the musical characteristics and singing styles of the two operas.The first chapter is mainly an overview of the two operas,mainly around the social background,the creative process and the status of opera creation at that time;the second chapter is the central chapter of this article,mainly comparing and analyzing the musical characteristics and artistic characteristics of the 1951 edition and the 2016 edition of the Long March,from the most basic plot,character relationships,musical ontology,singing styles of different music in the same scene and other aspects,can systematically and comprehensively present the same theme in different eras and other aspects of exploration The third chapter is a review and enlightenment of the comparison of the two versions,providing vocal music students with a deeper understanding of the performance and emotional expression of the work.