Research On The Performance Of Huangmei Opera "Duck Sister In Law"

Duchess in Law "was created by Zaifen Huangmei Theater and is one of the few Huangmei Opera works in recent years that reflect the theme of poverty alleviation.The play focuses on targeted poverty alleviation in local areas and depicts a new style of well-off life for the people.This article takes the performance of Huangmei Opera "Duchess in Law" as the research object,with music form analysis method as the main research method,and combines oral history research method,literature research method,"Praat" phonetic analysis software and other research methods to demonstrate its internal and external causes,performance form,beauty of performance,performance content and form,talent cultivation,and other aspects,in order to systematically and comprehensively understand the performance art of Huangmei Opera "Duchess in Law".The first chapter mainly analyzes the internal and external reasons for the successful creation of Huangmei Opera "Duchess in Law" from multiple perspectives such as history,region,culture,and society.The creators of "Duchess in Law" adhere to the development concept of "adhering to tradition,reforming and innovating",as well as the love and inheritance of Huangmei Opera by the creators of "Duchess in Law",combined with external factors such as local region,cultural environment,and era factors,so that "Duchess in Law"exhibits a strong regional flexibility in Anqing A lyrical and romantic performance style.Chapter 2 mainly uses research methods such as music form analysis and Praat voice software to analyze the performance techniques of characters such as Man Xiu,Liu Zi,and Shui Xiang in the drama,starting from the "singing,recitation,acting,and hitting" of the"Four Skills and Five Techniques".Combining live videos,main aria scores,and oral statements by Huangmei Opera performers,this chapter discusses the characteristics of the actors’ performances in the drama,which inherit tradition and integrate new era styles.The third chapter studies the beauty of the performance of Huangmei Opera "Duck Sister".The author discusses the "natural" beauty and the three-dimensional beauty of combining hardness and softness in the performance of the "performance" of the play by analyzing the secondary creations of the actors "Liuzi" and "Manxiu",as well as the performance techniques of the "blind woman" ’s inner monologue.These beautiful expressions make the emotions and personalities of the characters in the play more diverse and three-dimensional,increasing the audience’s sense of immersion.At the same time,the plot and performance closely follow the theme of the times,promoting the significance of poverty alleviation.The fourth chapter is based on the reflection on the performance of Huangmei Opera"Duck Sister in Law".The Huangmei Opera "Duckling Sister" breaks the stylized profession and experiential performance methods,and has a three-dimensional style characteristic of combining hardness and softness in the performance level.The changes in the performance themes of the play from regional characteristics to contemporary themes,the diversification of music creation techniques,and the evolution of actors’ performance techniques demonstrate the performance content and form of the play that keep up with the times.In terms of talent cultivation,it mainly discusses four aspects:the transformation of performance and creative talents,the inheritance and assistance of performance echelons,the creation of independent creative teams,and the strengthening of the performance schools and system of Huangmei Opera,in order to accumulate artistic theory and talent reserves for the development of Huangmei Opera.