Research On The Creation And Performance Of YangOpera In Yan’an Period From The Perspective Of Choreography

The New Yangko Movement in 1942 brought new life to the traditional northern Shanbei Yangko dance.In response to the spirit of Comrade Mao Zedong’s speech,a large number of literary and artistic workers went into the rural and mountainous areas and went to the front line of the anti-Japanese war.They began to draw elements from folk art,learn from the masses of the people,and seek new artistic forms to reflect new content.Therefore,the artistic form of "Yangko Opera" came into being.Yang Opera has made bold attempts,explorations and innovations in both content and form,and a large number of excellent Yang Opera works have emerged during this period.The author searched and sorted out the typical Yangko opera works in each period,and found that in recent years,the cultural value and inheritance significance of the Yangko opera in northern Shaanxi have been continuously affirmed,but the research on the traditional Yangko dance form in northern Shaanxi is far more than the research on the Yangko dance part of the innovative and developed Yangko opera.Therefore,the writer is concerned about Shanbei Yang Opera’s dance creation in the period of Yan’an,taking the vertical development of time as the axis,The Yang Opera works in the Yan’an period(that is,the 13 years of the CPC Central Committee in the north of shanbei: the CPC Central Committee and the Central Red Army arrived at Wuqi Town in the north of Shanbei the Long March in October 1935,and settled in northern Shaanxi to March1948)are divided into three periods: the preparation period(the Central Red Army arrived at Wuqi Town in northern Shanbei through the Long March in October 1935-before the launch of Mao Zedong’s Speech at the Yan’an Literature and Art Symposium in April 1942)The period of occurrence(the launch of Mao Zedong’s "Speech at the Yan’an Literature and Art Symposium" in May 1942-before the birth of the new opera "White-haired Girl" in March1945)and the period of development(the birth of "White-haired Girl" in April 1945-March1948),excavate and sort out the typical works of the northern Shaanxi Yang Opera in each period,and analyze their performance forms respectively,and analyze the movement characteristics,costumes and props of the Yang Opera dance Innovation of form and function content.In the image of dance,it is embodied in the role of "once in a lifetime",the costumes and props of life,and the singing and speaking with regional characteristics;In terms of dance language,it is analyzed from its reproducible movements,basic twisting and jumping methods and rhythm,as well as the stage diagram of Yangko Opera;In terms of dance content,the representative works of Yang Opera,"Brothers and Sisters Reclaiming the Wasteland","Couple Literacy" and "White Haired Girl",are selected to analyze the revolutionary content of its production struggle,literacy and literacy.In addition,by comparing the evolution and development of Yangko opera and traditional Yangko opera in Yan’an period,firstly,the lively role of male and female actors in its image fully explains the bright and heroic character of the people of northern Shaanxi,which can more stimulate the audience’s enthusiasm to watch;At the same time,Yangko Opera also changed the traditional Yangko "ugly and humorous" dress into serious modern makeup,fully displaying the spirit of the revolutionary era;Secondly,the traditional "sao qing yangge" and the symbolic significance of dance props have been innovated in form.The internal and external innovation of the dance part of yangko opera ingeniously shows the principle of art following life and literature and art serving the people.At the same time,in the past 13 years,the development and evolution of Yang Opera itself can be divided into the transition of "educational" action from the preparation period to the occurrence period and the sprout of new opera from the occurrence period to the development period.The cultural value and influence of Yang Opera are summarized.Therefore,a theoretical study of the aesthetic and creative value of the dance part of the northern Shaanxi Yang Opera is also a perspective and grasp of the development of the northern Shaanxi Yang Opera dance.