A Study On The Structural Thinking Of Concerto Works In The Baroque Period

By analyzing the musical text,composition structure and creative techniques of the Four Seasons,one of the masterpieces of solo concertos in the Baroque period,this paper tries to make a comprehensive and in-depth exploration and summary from the theme creation,melody development means,musical structure layout,digital bass and harmonic application of its musical works.This paper consists of introduction,text and conclusion,among which,the text is divided into three chapters.The first chapter introduces the general situation of music in the Baroque period and the creation background of the Four Seasons.The main contents include the general situation of music in the Baroque period,the establishment and classification of concertos,and the brief introduction of the Four Seasons and Vivaldi.The second chapter conducts a comprehensive and systematic analysis of the Four Seasons from the perspective of musical form structure,which is divided into four sections of Spring,Summer,Autumn and Winter,including the analysis of musical form structure and theme melody of twelve works in total,including three movements of each of the four works.The third chapter summarizes and distills the content analyzed in the second chapter from the aspects of composing techniques.It is divided into four aspects: the writing characteristics of phrase structure,the application and analogy of cycloform and other musical structures,the application of terminating form,digital bass and functional harmony,and the embodiment of the depiction of things by string playing skills and band structure layout.It is hoped that through in-depth analysis and study of the Four Seasons,the structural thinking characteristics and technical characteristics in the creation of concertos in the Baroque period can be summarized scientifically and comprehensively,so as to make a modest contribution to the study of concertos in the Baroque period.