Analysis On The Characterization And Singing Skills Of The Duet "Until The Breeze Blows Gently"

The study of opera characterization and singing skills has always been one of the hot topics of scholars in the vocal music industry.However,in the literature that the author can find,the research on opera mainly focuses on the analysis of aria songs and the shaping of individual musical characters,and the research on duet works in opera is relatively lacking.Specific for Mozart opera "Figaro wedding",preliminary research mainly focused on opera aria analysis,study the specific characters and artistic value,etc.,although preliminary research put forward the different degree of insight,but few scholars through the analysis of specific duet works such as to the breeze blowing gently and analyze suzanne and the countess characterization and singing skills.Based on this,this article takes the song "Stay until the Breeze blows gently" in the opera "Figaro’s Wedding" as the research object,and constructs the characters of Susanne and the Countess respectively from the three perspectives of love view,macro and micro,two-way comparison method and literature consolidation method.Analysis of the singing skills of "Stay until the breeze blows gently" from the presentation of skills,the strength alternation,and the linear change of emotion,and integrate them into the classroom teaching practice.Through the analysis,it is found that: firstly,in terms of characterization,the Countess and Susanna have both certain commonness and personality in the three perspectives of love view,career view and values.Both the Countess and Susanna are loyal to love,devoted to duty and progressive women of the new age,but the status and character of the Countess;Suzanne is generally lively and lively,and they have a certain personality.But even so,they can be friends.In this opera,both positive characters can also make the music deeply popular.The composer used the philosophy of "road to simplicity" to make it a success.Secondly,In terms of singing skills,this paper makes a specific analysis from the grasp of skills,the alternation of strength and the linear change of emotion.In the grasp of skills,through the specific analysis of language and breath grasp,timbre control and stage presentation and found that: in the duet works,especially the match between attention to the voice,through the harmony;the perfect match of song and role is also an essential part of song integrity,Suzanne tone is inclined to light lyric soprano,the countess tone to drama lyric soprano;in addition to pay attention to the necessary vocal technology,the stage performance is also very important,must conform to the music story,character characteristics,the mood of the characters.In the presentation of alternating strength,the work is 6 / 8 shot,in line with the basic law of strength(weak-weak-weak-weak-weak-weak),but also pay attention to the change of their internal emotions,in line with the basic emotional tone of the music,in line with the harmonious collocation between the voice.In the linear change of mood,Suzanne is helpless and mixed with the sympathy of the countess to make fun of the count;the countess is a linear change from sadness to contradiction to joy.In a song,paying attention to the grasp of skills,the presentation of alternating strength,and the linear change of emotion,can improve the integrity and accuracy of the song,show the intention of the composer and the connotation of the work itself,and make the character full of new charm.The use of comparative research method to study the opera duet work "until the breeze blows gently" not only enriches the research materials of the work,but also provides theoretical reference value for the creation of similar works in the later period.From the perspective of teaching,to provide the teaching basis for the later teaching department or similar works,from the stage performance perspective,better grasp the characterization and singing skills,make the singing dripping,improve the aesthetic ability.