| As an important editor and literary officer,Zhang Guangnian is the core figure in the beginning of ’New Period Literature’,witnessing and promoting the development of ’New Period Literature ’.Through sorting out and analyzing Zhang Guangnian ’s literary ideas and literary activities,this paper tries to reconstruct the literary coordinates of the 1980s from the institutional perspective of literary officials,and fully explore his important contributions in rebuilding literary system,maintaining literary democracy and optimizing literary ecology.At the same time,through the analysis of Zhang Guangnian’s realistic situation in different stages of the new period and his reaction to the times,in turn,this paper tries to reproducer the discourse confrontation and power game in the literary world at that time internally,revealing the historical logic and complex appearance of the occurrence and evolution of literature in the new period,and then clarifying the institutional background of the generation and development of literature in the new period.The first chapter takes the literature conference as the clue to explain Zhang Guangnian’s important role in the reconstruction of literary system in the new period.In the historical transition period from 1976 to 1979,Zhang Guangnian,who was the first to come back,actually assumed the role of literary organizer.He has planned to participate in the ’Symposium on Short Fiction Creation ’,’ Symposium on Literary Workers in Beijing’,’Three Expanded Meetings of the Third Plenary Session of the Literary Federation ’and ’ the Joint Committee of the Editorial Board of the Three Periodicals of the journal of literature and art,people’s literature and poetry’,which has effectively promoted the gathering of literary and artistic teams,the liberation of literary and artistic thoughts,the restoration of literary system and the development of future literature,and provided institutional guarantee for the construction of ’New Period Literature’.theOn the basis of combing the ideological differences and literary debates in the literary and artistic circles in the new era,the second chapter discusses Zhang Guangnian’s position of ’ cherishing spring ’ in firmly safeguarding literary and artistic democracy.Before and after the fourth literary congress,there were hidden differences in the literary and artistic circles.Later,the holding of the script creation symposium and the warming of the ’modernist’ discussion showed the collision and conflict of different literary concepts.In the literary debates,Zhang Guangnian advocated academic equal discussion and fully rational democratic criticism from beginning to end,trying to create a healthy and harmonious cultural environment for literary development,and effectively defended the literary and artistic situation of stability and unity.The third chapter mainly examines the leading role of Zhang Guangnian in the creation and development of literary awards in the new era.After the restoration of the literary order in the new period,the literary and artistic circles are facing the new task of system adjustment and reconstruction.The initial establishment of the literary award system is a significant new change in the system adjustment.Although Zhang Guangnian is not the pioneer of literary awards in the new era,he play a leading role in expanding the scale of awards,adding awards,and promoting the practice of awards,which promotes the final formation of the literary awards pattern with the Chinese Writers Association as the core in the 1980s.The operation and practice of literary awards help to bridge the differences in the literary world and positively stimulate literary creation,highlighting Zhang Guangnian’s literary position and the literary appeal of optimizing the literary ecology. |
