Expression And Practice Of "Hitting Water And Hitting Pigments Method" In Boneless Flow Er-and-Bird Painting

The purpose of this article is to discuss the expression and application of the "Hittin g Water and Hitting Pigments Method" in Boneless Flower-and-Bird Painting.It focuses on the expression of the "Hitting Water and Hitting Pigments Method" in Boneless Flowe r-and-Bird Painting and the expression of aesthetic interest,and explores in depth the tech nique’s interest in flower and bird painting as well as its application in my work.The pap er chronicles the technique’s history to its application in my work.The paper traces the technique’s historical roots and clarifies its concept through sum maries of its forefathers;it rationalizes the technique’s development and evolution throug h its historical development;and it analyzes the technique’s value and application in the w orks of painters from various periods.The paper discusses Yun Shouping,“Ju Cao and Ju Lian”,Lingnan Painting School of painting’s use and innovation of the technique and its connotative beauty,as well as the relevance of these creative processes in the developmen t of the "Hitting Water and Hitting Pigments Method.The essay focuses on the "Hitting Water and Hitting Pigments Method" as applied to my Boneless Flower-and-Bird Painting,examining its benefits in terms of the developme nt and presentation of new visual effects.I hope that this exploration will serve as the fou ndation for future works,allowing people to understand both the past and the present,and that the works will incorporate both traditional aesthetic elements and some contemporar y creations,giving Boneless Flower-and-Bird Painting a more varied appearance.