Research On The Creative Strategy Of CO Productions Of Hong Kong Filmmakers "Going North" After CEPA

In 2003,the mainland and Hong Kong signed the Closer Economic Partnership Arrangement(CEPA).In the following year,the two sides made specific commitments on the liberalization of trade in goods and services.At the film level,they agreed to increase the shareholding ratio of theater companies in the construction of cinemas in the mainland,break the previous restrictions that CO productions must be filmed in the mainland,and improve the box office sharing treatment of CO productions between the two places.After the signing of CEPA,the mainland has participated in the creation of CO productions to a great extent,and Hong Kong’s efforts to enter the mainland have been strengthened unprecedentedly.In the early stage of CEPA signing(2003-2004),the performance of CO produced films in the film market of the two places was not satisfactory,mainly because of the differences in the film censorship systems of the two places,which led to some CO produced films not being released in the mainland cinemas because they could not obtain the Dragon label.At the early stage of CO production,Hong Kong filmmakers were eager for quick success and instant profits,and abused the appeal of Hong Kong stars in the mainland box office market.For example,five films starring the same star were shown in the mainland every year.As a result,the market pressure forced Hong Kong filmmakers to make comprehensive and innovative adjustments to the film production strategy in order to gain recognition from the mainland market.The text mainly discusses the innovative adjustment of Hong Kong filmmakers to the production strategy of CO productions after CEPA.The main part has four chapters: the first chapter is the introduction,which briefly introduces the research object,research objectives,the concept of the topic and summarizes the research status at home and abroad;The second chapter gives an overview of the co productions of the two places after CEPA,mainly including the overview of the overall co productions background and the development trend;The third chapter discusses the innovative strategies made by the filmmakers of the two places when they co shoot from multiple dimensions such as aesthetics,types and cultural concepts,and comprehensively scans and summarizes the highlights of the co shot films of the two places after CEPA.It attempts to provide a brand-new perspective for viewing the co shot films through the discussion of the article,Thus,it analyzes the positive significance of CO productions in providing new growth points for the whole Chinese film dissemination;The fourth chapter discusses the Enlightenment of the co productions of the two places to the mainland films from three aspects;The fifth chapter is the conclusion.