Research On The Artistic Expression Of Group Portraits In Dunhuang And Tang Dynasty Jingbian Painting

Historically,Dunhuang Tang Dynasty murals have absorbed the painting characteristics from the Northern Dynasties to the Sui Dynasty.Under the background of cultural prosperity,they have created a wide variety of magnificent paintings.Through further combing and researching the literature,it is found that the main content of the Dunhuang murals in the Tang Dynasty has gradually matured in the style of artistic expression in the prosperous Tang Dynasty,and the picture is mainly full of composition,showing a strong decorative meaning.We further analyze the characters in the picture,and we can judge that they gradually show a secular and realistic trend with the development of the painting language.The depiction scenes of the Tang Dynasty gradually turned into a magnificent Western pure land world.The Buddha statues in the picture are arranged in the form of group portraits,and at the same time,they are mostly presented in a diversified group portrait combination.Therefore,this article starts from the perspective of the group portrait of characters and studies the relevant materials of traditional Chinese painting as the main expression.First of all,through literature analysis,image history and other research methods,the meaning of character group images and the types of changes are analyzed.Secondly,we will study the transformation of Dunhuang Tang Dynasty from the three aspects of group portrait combination,spatial performance and modeling language,and on this basis,we will analyze the reasons why Dunhuang mural art has been widely used in the creation of traditional Chinese painting characters in the 20 th century.Finally,the theoretical content summarized and painting techniques are combined with their own creations,so as to discuss the study of the artistic performance in the group portraits of Dunhuang Tang Dynasty.