| Gustav Mahler(July 7,1860-18 May 2011)was an outstanding Austrian composer and conductor.When it comes to him,people may first think of symphonies and art songs."The two are the two most important genres in his creation,both independent and mutually influencing.Therefore,some people call his symphony a" song like symphony ",and also call his songs a"symphonic song."."The Song of the Wanderer",as Mahler’s first vocal divertimento accompanied by symphony,has been studied almost exclusively in the field of vocal music.There are both piano and orchestra versions of this work,and both versions were written by the composer himself,which has strong guiding significance for studying the composer’s "symphonic" thinking and how to perform "symphonic" performance.As a graduate student in the field of piano collaborative art,the author,starting from the perspective of "symphonization" of the piano voice,takes "Song of the Wanderers" as the starting point,and through the "symphonization" analysis of the piano voice in the song,finds out the relationship between accompaniment and melody,more accurately grasps the composer’s assumption of "symphonization" of the piano voice,and better expresses the content of the work through the "symphonization" performance.The thesis is divided into three chapters.The first chapter is the definition of "symphonic" performance.The second chapter focuses on the "symphonic" analysis of the work.The third chapter mainly analyzes the "symphonic" performance treatment of the piano part of the work.Finally,through the research and writing process of this paper,it aims to help the majority of piano cooperative art practitioners and scholars develop learning ideas,and provide inspiration for their own research work and performance.This article studies from both theoretical and practical perspectives,and aims to solidify the experience learned and summarized by my graduate students over the past three years,enabling them to apply it freely. |
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