Research On Documentary Narration Of The Story Of Chuaner From The Perspective Of Reception Aesthetic

With the empowerment of network technology,video content has gained a lot of ratings and attention on the network platform.At the same time,the popularity of documentaries in social media market has also been enhanced unprecedentedly.Among them,the online documentary the story of Chuaner launched by Bili Bili,which show the Chinese barbecue food culture have triggered many hot topics in the documentary creation circle and among young audiences.One of the highlights of this documentary is that its unconventional narration and expression bring the audience a unique auditory experience.Reception aesthetics is a literary theory about readers’ acceptance,which was born in the mid-1960 s.Its main point is that the functional value of literary works needs to be reflected in readers’ reading acceptance.This theory puts readers in a prominent position,which is in line with the characteristics of audience in the new media era.Under such an environment,the law of creation will also change.Thus,this paper attempts to investigate the creation rules and characteristics of the documentary narration from the perspective of reception aesthetics.According to the theoretical framework of reception aesthetics theory,this paper investigates the features of online documentary narration(including the narrative commentary and the oral expression),which is the biggest innovation of this paper.The first chapter is an introduction;The second chapter mainly introduces the relevant concepts of reception aesthetics theory;The third chapter mainly introduces the basic information and content of the documentary the story of Chuaner;The fourth chapter mainly discusses the creative characteristics of the documentary narration of the story of Chuaner based on the concept of "summoning structure" in the theory of reception aesthetics;The fifth chapter examines the aesthetic construction of auditory symbols of the documentary the story of Chuaner from the perspective of the concept of "horizon of expectation" in the theory of reception aesthetics.