A Comparative Study On The Performance Styles Of Beijing Erhu In The Dan Opera

The art of Peking Opera continues,and various schools have gradually formed their own singing style and accompaniment characteristics in the process of development.The Peking Opera performance on the stage not only needs to rely on the actor ’s ’ singing and playing ’,but also needs to use the Peking Opera band ’s ’ supporting,wrapping,lining,filling and pad ’.The organic combination of the two can achieve the perfect artistic effect.This paper takes the accompaniment characteristics of Beijing erhu in the art of Beijing opera Danjiao genre as the research topic.From the perspective of the practical application of Beijing erhu,it comprehensively uses various research methods such as practical practice method,inductive analysis method and comparative research method to study the accompaniment characteristics of Beijing erhu in the art of Beijing opera Danjiao genre as comprehensively as possible.The full text is divided into four parts,respectively,from the aspects of music style and accompaniment techniques,etc.,to sort out the accompaniment characteristics of Beijing erhu in the Beijing opera Danjiao genre.The first part,introduction.This paper expounds the reasons and research significance of the accompaniment characteristics of Jingerhu in the Danjiao School of Peking Opera,summarizes the relevant literature,and introduces the research methods.The second part,the historical evolution of Jingerhu.By looking up relevant literature,combing the origin and development of Jingerhu;the performance technical characteristics of Jingerhu are sorted out,and its tuning and tuning,and supporting cavity are explained.Secondly,it analyzes the relationship between Jingerhu and Jinghu.The third part,the music style and performance techniques of Beijing erhu in the Beijing opera Danjiao genre.Through the analysis of performance practice and literature materials,the music style and performance techniques of Jingerhu in the art of Peking Opera Danjiao genre are analyzed.The fourth part,the style and accompaniment characteristics of Beijing erhu in the repertoire of Beijing opera.From the perspective of the practical application of Beijing erhu,this paper selects the classic repertoire of four schools(Mei,Cheng,Xun and Zhang)as a case to deeply explore the accompaniment characteristics of Beijing erhu in the four schools of Beijing opera.Secondly,based on the case study and comparative perspective,from the two aspects of music style and accompaniment characteristics,the Beijing erhu in different schools.