Exploration Of Pen And Ink In Contemporary Freehand Flower-and-bird Painting

Freehand hand flower-and-bird painting is one of the artistic treasures of the Chinese traditional culture.Its unique aesthetic taste has laid its continuous development vein,which is also an important reason why freehand hand flowers and birds can show off alone in the Chinese painting world.Pen and ink is the basic language of traditional Chinese painting,and also the key lifeblood for the formation of freehand flower-and-bird painting into a unique style of freehand flower-and-bird painting.From ancient times to the present,the use of brush and ink in freehand flower and birds has experienced a single to diversified artistic expression exploration process,and the painters of all dynasties have inherited and expanded it,thus making the innovative sublimation of pen and ink interest and artistic conception in freehand flower and bird painting.This paper mainly relies on the development of freehand flower-and-bird painting and the exploration of brush and ink to research and create,the main part of this paper contains three aspects of content--the first part: combined with the development of freehand flower-and-bird painting,based on the existing research results,through the literature and painting works,further analysis of the development of contemporary freehand flower-and-bird painting causes and forms of development;The second part:With the brush and ink in freehand flower-and-bird painting as the core,combined with the brush and ink method,the purpose is to explore the style of contemporary brush and ink language based on the brush and ink in traditional freehand flower-and-bird painting,and seek the aesthetic characteristics under the brush and ink interest in contemporary freehand flower-and-bird painting and the influence of contemporary style on freehand flower-and-bird painting;Part Three: I will integrate the explored theoretical interpretation into my own creation,experience the unique expression of painting language in contemporary freehand flower-and-bird painting.From conception to the final creation,I will look back at the spirit of pen and ink and the expression of interest in my own work,and try to make the creation in essence reflect the mutual integration of traditional culture and modern concepts,and finally complete the creation of freehand flower-and-bird painting under my own aesthetic recognition.From theory to practice,strive to achieve the unification of the two.