The Study And Application Of Linear Expression In Chinese Landscape Painting

At the moment when the supply channels of technology are expanding and the forms of artistic creation are divided into different categories,the interpretation of objective objects has long been separated from the basic needs of reflecting the concrete images.Chinese landscape painting,as the painter’s eye that actively absorbs the objective objects,presents its pictorial content.Way,still has the scarcity of art that can hardly be ignored.In the creation of Chinese landscape painting,line strongly drives the painter to transform vision into visual perception,which is helpful for the artistic transformation of objective images and the aesthetic practice of different artists.At the same time,the richness of line expression also requires the continuous expansion of expressive materials.As a botanical segment of Chinese painting,vines and stems have accompanied the development of Chinese painting.They are an important material for showing an intuitive linear posture based on plants,and can even be said to be the basic elements for ordinary people to understand and recognize Chinese painting.In this field,the artistic expression value presented by the diversity of lianas should also receive extensive attention and research.This study takes linear expression as the main line,uses vines as the material,and uses the context of landscape painting as the carrier to explore the possibility of various forms of linear expression.The first chapter explains my focus on linear expression,as well as the insights gained from learning traditional landscape painting,and the capture of related techniques,composition and other formal content in traditional landscape painting.The second chapter introduces the main material of the study and the reasons for the choice of this topic in the linear language-related research.The third chapter focuses on the visual conception and preparatory work in the early stage of creation,showing the process of controlling and applying the research results.Taking the creative research of Sheng Rong Cu Jin as the starting point,experimenting with painting colors and different texture effects.The fourth chapter analyzes the expression language of the research work Sheng Rong Cu Jin,explores the aesthetic meaning behind the work in simple terms,reflects the artist’s search for natural breath,and also tries to express the author’s thinking on the subject matter of landscape painting and hope for better linear expression through this article.