A Study Of Zhuzhi Ci In Guangxi

Zhuzhi ci is a poetic genre with strong life flavor,which is rooted among the people and connected with reality in our country.Zhuzhi ci not only has a strong national character,but also can be studied in detail according to local customs,which covers a large number of regional folk customs,so it has become an important research object in the current academic circles.As an important part of Chinese Zhuzhi ci,Guangxi Zhuzhi ci went to its prosperity and prosperity in the Ming and Qing dynasties,describing a large number of Guilin landscapes and local folk customs,and even supplement the que of local chronicles.All in all,Guangxi Zhuzhi ci is rooted in the folk deep soil,with its rich and magnanimous,fresh and vivid local writing slowly spread out a picture of landscape and people to the world,showing the unique charm of all ethnic groups in ancient Guangxi.This paper is divided into the following four chapters:The first chapter analyzes the temporal and spatial distribution characteristics of Zhuzhi ci in Guangxi.From the perspective of time,Zhuzhi ci in Guangxi was silent after the emergence of the Yuan Dynasty,and became prosperous and prosperous in the Ming and Qing dynasties.This evolution process is the result of the development law of Zhuzhi ci itself and the historical situation of Guangxi,and has formed distinct regional characteristics.From a spatial point of view,Guangxi Zhuzhi ci all covers 14prefecture-level cities in Guangxi Zhuang Autonomous region,and there are strong characteristics of unbalanced development among different regions.While maintaining the cultural center of gravity in northern Guangxi with Guilin as the core,southern and eastern Guangxi are rising strongly and gradually showing a pattern of diversified development.The second chapter analyzes the content classification of Guangxi Zhuzhi ci,which is divided into three aspects: the description of Guilin landscape,the portrayal of folk customs and the portrayal of female images.First,Guangxi Zhuzhi ci depicts the landscape of Guilin.First of all,the content of Guangxi Zhuzhi ci writers’ description of Guilin landscape can be divided into the following "four unique" : Shanqing,Shuixiu,Dongqi and Shi Mei.Secondly,the reason why Guangxi Zhuzhi ci can spread the reputation of "Guilin landscape is the first in the world" to all parts of the world,it can be attributed to the following three reasons: the heterogeneous literary aesthetic experience of local officials in Guangxi,the perfect integration of landscape landscape and humanistic connotation,and the vigorous propaganda and hard work of generations of scholars in Guangxi.Second,the portrayal of folk customs in Guangxi Zhuzhi ci.The rich and diverse folklore in various places is not only the "source of living water" for poets to carry out the creation of Zhuzhi ci,but also an important embodiment of "the help of rivers and mountains".This chapter explores the close relationship between Zhuzhi ci and folk customs more deeply from three aspects: production folklore,life folklore and festival folklore.First of all,the production folklore is a valuable witness to the hard work of the people in Guangxi,which can be subdivided into agriculture,handicrafts and commerce;secondly,the folklore of life is the true reflection of clothing,food,housing and transportation of all ethnic groups,which is expounded from four aspects: clothing,diet,medicine and residence.Finally,the folk customs of festivals are the main embodiment of rural customs.In addition to Zhuang songs and polders,all ethnic groups in Guangxi also celebrate many common festivals,such as Spring Festival,Ching Ming Festival and Dragon Boat Festival.Third,Guangxi Zhuzhi ci portrays the image of women.The quality of Guangxi women who bear hardships and stand hard work can be found frequently in ancient Guangxi local documents.Through the centralized analysis of the materials related to Zhuzhi ci in Guangxi,it can be found that the ancient Guangxi women participated in almost all family production and life affairs,and their family contribution was no less than that of Guangxi men.The reason is that the influence of the Confucian thought of "men are superior to women" in Guangxi is limited,and women in Guangxi enjoy a higher status in daily production and life.The third chapter analyzes the creative psychology of Zhuzhi ci in Guangxi.When the literati wrote Zhuzhi ci,the ancient scholars in Guangxi were not only for the purpose of "chanting the customs and customs of bamboo branches",but also to express their inner psychological state and emotional flow.From a macro point of view,the creative psychology of Zhuzhi ci in Guangxi has a lot in common and is influenced by different groups of poets to a considerable extent.Combined with the current local literature in Guangxi,the creative psychology of Zhuzhi ci in Guangxi can be divided into two parts: the strange psychology and the moral psychology of poetry education.In the first part,the psychology of foreign curiosity refers to the psychological trend of derogated officials from other places after entering Guangxi,from the first impression of "miasma hometown" to the detailed description of Guangxi mountains,plants and local products,and then to the deep yearning for hometown after the freshness fades.The second part of the moral psychology of poetry education means that the local poets in Guangxi inherit the tradition of poetry education in the national style and reflect the influence of the policy of cultural governance and education in a certain area on social customs through Zhuzhi ci.