Wang Bao’s Creation Examination Theory Of His Ode To Dong Xiao

Wang Bao’s Ode to Dong Xiao is the first fully preserved music fu in China,which was first listed as the "music category" in Xiao Tong’s Selected Works.With music as the description object of music,it describes the production craft and playing method of Musical Instruments,and creates the writing example of music fu in later generations,which is of great significance in the history of music fu.At present,the academic research on the Ode focuses on five aspects,such as work year,system,ideological content,artistic characteristics and influence,while few discuss the artistic creation of the Ode from the text itself.Therefore,this paper will return to the creation itself and study the use of Wang Bao’s Ode to Dong Xiao from the perspective of pragmatic creation.The research mainly involves the exploration of fu version,word ancestor,and name object examination.The first chapter of this paper mainly examines the origin of musical fu.On the origin of music fu,the origin of music fu can be traced back to the "first episode" of the Seven Fa ",which had an important influence on the music fu of the Han Dynasty and later generations.Secondly,Wang Bao inherits the creation mode of Seven Fa Fa,which forms the creation tradition of musical fu.The second chapter examines the version of Dongxiao Ode,which is mainly divided into two sections.First of all,the edition of the Dongxiao Ode is compiled,including studying the existence and loss of Wang Bao’s works,sorting out the collection and edition circulation of the Dongxiao Ode,and exploring the notes.Secondly,the situation of different texts in the Ode to Dong Xiao.After Xiao Tong selected Wang Bao’s Ode to Xiao into Selected Works,its versions were complicated,and there were differences between the versions of the Ode to Xiao.The book was investigated,and the phenomena of deviation,evolution,error and inversion were sorted out.The third chapter will examine the ancestors of the words and the characters of mian.Through the examination of the characteristics of the words in Wang Bao,it is divided into classics,history books,various categories,dictionaries,etc.,to analyze the unique characteristics of the words,through the status of the poems,view the thoughts and learning of the king,and explore its cultural tendency.In addition,based on the perspective of word standard,the characters of "Dong Ode" is examined.Chapter.The fourth chapter investigates the famous objects of Ode to Xiao.First of all,the "dongxiao" in "Dongxiao Ode" is described,mainly including the source,performance techniques,shape and system characteristics,the application of "Dongxiao" and other aspects.Secondly,based on the specific use of the famous objects in Dongxiao Fu,the famous objects in the fu are classified,and all kinds of famous objects are placed in the specific creation scene and context,so as to explore the requisition of the requisition,the internal cultural implication of the famous objects.The fifth chapter discusses the art of "virtual and reality" in the creation process of Dongxiao Ode.The Ode to Dong Xiao is the first intact musical instrument in the history of fu.It draws lessons from the music creation mode in Seven Fa and completes it,so that the creation mode of music can is fixed: the growth environment of the arrangement material,the manufacture and decoration of the equipment,and the description of the wonderful music.After Wang Bao’s Ode to Xiao,Ma Rong’s Ode to the Flute and Ji Kang’s Ode to Qin and other musical fu all follow this creation mode.In the process of creation,Ode to Dong Xiao uses the techniques of "virtual" and "solid" to describe the growth environment of the material,the production of objects and the influence of music on people.The sixth chapter discusses the influence of the circulation and its status in history.Wang Bao’s Ode to Dong Xiao is the first intact musical instrument in the history of fu.It draws on the musical structure of Seven Fa,and plays an exemplary role in the writing mode of later musical fu.Ode to Dong Xiao was included in Selected Works by Xiao Tong,and spread with the development of Selected Works.Scholars have always evaluated the Ode to Dong Xiao,or discussed its creative theme,or discussed its artistic techniques,or studied the subject matter.In addition,the words and sentences in Dongxiao Ode are also carefully carved by fu writers.They paid attention to the rhyme and the characteristics of sentence pattern,which greatly promoted the process of prose and prose in later generations,and had a profound influence on the development of music later.