A Study Of Tian Han’s Left-Wing Drama Thought

Tian Han is a talented playwright and poet and the founder of the revolutionary drama movement in our country.He has a thorough knowledge of both Chinese and Western,it includes not only his absorption of Chinese and Western literary thoughts,but also his active absorption of left-wing literature in accordance with the trend of The Times.The transformation of his "art first " thought is a process of self-logic perfection and self-consistency,and also an active choice at a time of national crisis.This thesis mainly studies Tian Han’s left-wing drama thought from three aspects.The first chapter focuses on the formation of Tian Han’s left-wing drama thought.First of all,from the contact between Tian Han and the revolutionary Party,the author analyzes the influence of the revolutionary Party on the formation of his left-wing drama thought.Secondly,this paper analyzes the extraterritorial factors in Tian Han’s left-wing drama thoughts from the perspective of his absorption of foreign left-wing ideological trends.Thirdly,the influence of our drama tradition of realism on the formation of Tian Han’s left-wing drama thought is studied.Finally,from the advance rehearsal of Tian Han’s "socialist poetics",the author analyzes the consciousness of Tian Han’s drama thought.These internal and factors jointly promoted the transformation of Tian Han’s left-wing drama thought.The second chapter focuses on the analysis of Tian Han’s left-wing drama thought of "the position of playwright with the public as the core".First of all,from the perspective of Tian Han’s "scholar-official spirit " and the classization of Tian Han’s "public drama ",it clarifies Tian Han’s mind of the world and the public consciousness.Secondly,this paper analyzes the artistic practice of Tian Han’s left-wing drama thought from the perspective of the public drama image in the script.Chapter three: from the left-wing drama of Tian Han’s "aesthetic" tendency and the left-wing drama of the "epic style" two aspects of the left-wing drama thought of Tian Han’s inheritance and deepening of the early drama thought.