Study On The Image Narration And Cultural Value Construction Of Intangible Cultural Heritage Documentaries

The development of Chinese documentary subject of intangible cultural heritage is in line with the needs of the protection of intangible cultural heritage by the party and the state.In 2003,UNESCO Convention for the Protection of Intangible Cultural Heritage defined the concept of intangible cultural Heritage scientifically and systematically,and the subject of intangible cultural heritage was widely introduced into the vision of documentary creators.Then,the state issued a series of documents,from the guidance,management methods,policies and regulations and other aspects of planning the protection of the intangible cultural heritage in our country,the subject of intangible cultural heritage documentaries on the image protection function of endangered was gradually discovered.Subjective and personalized non-legacy image expression has gradually replaced the objective reappearance oriented image and the science and education film for the purpose of knowledge dissemination.In the future,intangible cultural heritage documentaries will create greater economic value and social benefits.In order to avoid homogeneous competition,film and television workers will extend their creative attention to the intangible cultural heritage projects at the provincial and municipal level.The cross-cultural communication of intangible cultural heritage documentaries will also become an important part of the "going-out" strategy of Chinese cultural industry.In the image narration of intangible cultural heritage documentaries,"synchronic"content and "diachronic" elements are dialectically unified under the "diversified"approach.The documentary series on intangible cultural heritage mainly adopt the narrative perspective of the common people and describe the personal experiences of non-hereditary people through oral history,which gives contemporary value to intangible cultural heritage while drawing the picture of the craftsmen.The linear narrative with the time line as the main context can clearly introduce the past and present life of intangible cultural heritage.Through the combination of explanation and depth of field lens,the original appearance of intangible cultural heritage can be objectively presented,highlighting the historical significance.In order to show details in detail,intangible cultural heritage documentaries also use a large number of close-ups of utensils,hands and faces.With the help of film and television technology and the promotion of audience needs,the creative orientation of intangible cultural heritage documentaries is gradually diversified,and the image narrative techniques are constantly innovated.Intangible cultural heritage documentaries build a cultural value system from three aspects:spreading regional culture,promoting artisan spirit and promoting cultural power.Intangible cultural heritage documentaries are not only an important window to show the local customs and cultural features along the Silk Road,but also provide a mass communication channel for the inheritance and promotion of Yellow River culture.The documentary "Tao Yan Praise" restores the ideological core of inkstone culture from multiple dimensions such as historical evolution,realistic value and cultural interpretation.Centering on the theme of inheritance,the documentary on intangible cultural heritage shows the concept of integrity and innovation of the craftsmen and praises their supreme pursuit of carrying Taoism with technology,which is also in line with the spirit of The Times.Documentary creators should adhere to the people-oriented creation orientation,conduct humanistic interpretation from the perspective of film and television history,and use documentary audio-visual language to tell Chinese stories well.At the same time,explore the unique regional characteristics of the intangible cultural heritage projects,with non-legacy image to help the strategy of strengthening the culture of the province.The documentary "Praise of Tao Inkstone" aims to restore the ancient art of ink stone carving,excavate the cultural connotation of Tao inkstone and highlight the unique charm of intangible cultural heritage.Starting from the natural landscape of Taohe River Basin,the film shows the whole process of the production of Taoyan through five narrative paragraphs,interprets the cultural attributes of Taoyan through interviews with characters,and explores the contemporary value of intangible cultural heritage techniques.