| Intangible cultural heritage documentary takes intangible cultural heritage as the performance object,combines the audio-visual language system,constructs the specific meaning of intangible cultural heritage culture,and completes the expression of intangible cultural heritage culture under the current social background,and realizes the living inheritance of intangible cultural heritage.This article will research mainly focuses on the intangible image expression of documentary film,using the method of text analysis,case analysis,creative practice,combined with personal graduation work with the Silk and Blankets creative practice,from the perspective of creative practice,the intangible image narration of documentary film and audio-visual language argumentation and summarized,Analysis of intangible documentary film is how to express the creator through narrative viewpoints and the picture of choice for intangible cultural point of view,this paper discusses how to through the intangible documentary film image creation to touch the audience,arouse the audience’s perception of intangible culture heritages and attention.This study is divided into four chapters.The introduction part mainly clarifies the research background,research significance,research review,research methods and innovation points of the paper.The first chapter of the paper clarifies the two concepts of intangible cultural heritage documentaries and image expression.Through the definition of the concepts,the research subject is defined and the important role and significance of intangible cultural heritage documentaries in spreading and inheriting intangible cultural heritage is affirmed.At the same time,the development process of intangible cultural heritage documentaries is sorted out.The second chapter takes narrative viewpoint theory and structuralist narratology as the theoretical basis,discusses the choice of narrative viewpoint and narrative structure of intangible cultural heritage documentaries in consideration of audience acceptance,and summarizes several commonly used narrative perspectives and narrative structures in the creation of intangible cultural heritage documentaries.Based on the development tide of intangible cultural heritage documentaries,the third chapter makes a detailed analysis of the audio-visual language expression of intangible cultural heritage documentaries,and explores the evolution and upgrading of the audio-visual language of intangible cultural heritage documentaries,as well as the importance of artistic audio-visual language in displaying the intangible cultural heritage culture.The fourth chapter takes my graduation work Silk and Blankets as an example to elaborate the creation of the documentary on intangible cultural heritage from the perspective of practice,and summarizes and reflects on the creation process of my work,so as to provide effective experience for the subsequent practical creation. |