"Empty","Object" And "Between":Research On The Generation Of Image Space In Film Adaptation

Since the 1920 s,the adaptation boom has integrated literature,drama,comics,games and other different text types into it,affecting the film creation in a direct or indirect form.Select film space as a research dimension,in the process of adaptation of film space,should not only attach importance to the objective creation of subject consciousness,also don’t ignore the aesthetic subject of subjective perception and experience,thus try to define the space level in the film,and explore each level stage by the influence of which elements.It is mainly divided into four parts for research.First,the first part starts from the three forces of film adaptation intervention,and discusses how the original media attributes,the creators and the film viewers restrict the creation of film space in the cross-media creation process.Second,from the three kinds of power,and citing the Japanese designer,architect Masayuki Kurokawa of relatively fragmentary about "empty","content","between" theory,from the perspective of image space to its definition and division,reintegration for three stages in the process of image adaptation deformation characteristics,as three parts respectively.Therefore,the research aims to return to the origin of spatial design and illustrate the characteristics of various stages during the formation period of image space.It focuses on analyzing the generation of image space in the process of film adaptation,and tries to summarize the top logic of spatial deformation in the adapted film.