Vocal music composed in the sonata style have long been considered relatively rare,and the number of vocal sonata styles is indeed small compared to instrumental works,and it is difficult to pay attention to the developmental relationship between vocal music and sonata forms.In the process of collecting information,it is found that from the Baroque period to classical,romantic and modern vocal music,examples of sonata structure creation can be found,and some books directly point out that the development between vocal music and sonata style has a certain historical origin,bounded by the formation of classical sonata style in the classical period,before which the former had a certain impact on the formation of the latter,and then on the contrary,the sonata style began to act on the creation of vocal music.It has diversified characteristics in the application of actual works.Therefore,this article is based on the study of sonatas of vocal music,hoping to sort out this topic.This article is divided into three chapters.The first chapter focuses on the historical origin of vocal music and sonata styles,from the germination of sonata factors in early Baroque vocal music to the complete establishment of sonata styles in vocal music in the classical period.The second chapter focuses on the specific classification and analysis of works such as Kyrie of Missa,art songs,and vocal concertos,and explores some structural personality characteristics produced when different genres of vocal music are combined with sonatas.The third chapter makes a specific analysis of the use of materials in the works and attempts to summarize them,trying to extract some common characteristics when combining vocal music and sonatas. |