Research On The Artistic Expression And Playing Skills Of Liszt Piano Adaptation

The style of works of any artist is closely related to the background of his time.Liszt,the "king of piano",was born in Hungary under the rule of the Austrian Empire.Influenced by the weak national complex in Central Europe and the low control status of capitalism after he moved to Paris,he began to seek to adapt to the public aesthetic creation.The sixth Paganini Etude,adapted from Paganini’s 24 Capriccio,has immeasurable artistic value and social influence.It not only allows the public to contact and understand elegant music,but also opens up a new direction for the development of piano art.Liszt’s piano adaptation occupies the vast majority of his life creation,which not only represents the sublimation of his thought,but also has superb artistic expression.This article elaborates on the sixth piece of the adapted piece "Paganini Etude" from four dimensions.The introduction section explores the research significance and value of this work from the perspective of the background,significance,and literature review both domestically and internationally.The first part aims to explore Liszt’s piano adaptations from a diverse cultural context by analyzing the cultural context in which he lived in the19 th century.The second part analyzes the influence of musician Paganini and his works on adaptation,the development and improvement of the piano manufacturing industry on performance technology,and Liszt’s own ideological pursuit.It is concluded that Liszt created his own music while respecting the original work.The third and fourth parts are the key research areas of this article.Based on the experience of stage practice,the focus is on specific analysis of music terminology,work structure,techniques,and other aspects in the work.Starting from the analysis of eleven variations,the study delves into the symphony and color of music,and finally analyzes and understands the artistic expression of the work from the perspective of the application and expression of music terminology in the work,In terms of performance techniques,four representative dazzling techniques,namely octave technique,Tokata performance technique,multi part tremolo technique,and arpeggio fast running and jumping technique,were elaborated.