A Comparative Study Of Zhao Mengfu’s Calligraphy And Painting Techniques

Zhang Yanyuan of the Tang Dynasty,in his "Records of Famous Paintings of the Past Dynasties-The Origin of Narrative Paintings",once discussed that "calligraphy and painting have different names but the same body".The poem inscribed after Zhao Mengfu’s "The Painting of Beautiful Stone and Sparse Forest" is also one of the powerful proofs,clearly pointing out the view that "calligraphy and painting are the same".The flying white method is used to draw mountains and rocks,the seal ring method is used to draw trees,and the eight methods are used to write ink and bamboo,which clearly define the corresponding type of strokes in painting.The common features of calligraphy and painting are not only reflected in the media used,The brushwork of calligraphy and painting is a significant component of the art form,not only in its composition style and noumenonelements,but also in its charm,philosophical essence,and grandeur.but also reflects the deep national characteristic thinking mechanism of the Chinese nation.It is an important academic work to explore the brushwork structure of calligraphy and painting,aiming at summarizing the construction rules and characteristics of brushwork structure in the art of calligraphy and painting.Exploring the unique significance and academic value of calligraphy and painting art in education,we can speculate on its potential for innovation through the study of history and practice.Zhao Mengfu,as a person who has both calligraphy and painting,is a very difficult research object in the process of exploring the relationship between calligraphy and painting strokes.