Reconstruction And Expression Of Emotional Relationships In Chinese Family Ethics Films

In the development of Chinese films for more than a hundred years,the combination of Chinese films and the discourse of the times in different historical environments shows the development trend of different periods.The creation of family ethics films usually takes "home" as the story scene and the emotional relationship of the family as the core of the story to show the ideological collision and conflict among family members.Chinese family ethics films in the 20 th century show the aesthetic height that Chinese films can achieve.Influenced by the far-reaching tradition of Confucian culture,they show the aesthetic characteristics of Orientalism.In the 21 st century,the collision between traditional and modern culture and the exchange and integration of Chinese and Western ideas have changed the ideological core of family ethics films.The reconstruction and expression of emotional relations in the cultural context witnessed the changes of the basic unit of family in the context of reform and opening up and modernization.This article is divided into three chapters.The first chapter sorts out the creation process of Chinese family ethics films,analyzes the Confucian and Taoist aesthetics contained in family ethics films,and summarizes the narrative expression of emotional relationships based on the classic family ethics films.Go to the creation of "Lu Mian".The second chapter discusses the commonalities of the creation of traditional family emotional relationships,and summarizes the new trends in the evolution and expression of emotional relationships in family ethics films in the context of social development and change,with a view to applying them to the future creation practice of family ethics films.The third chapter specifically analyzes the audio-visual language expression of the emotional relationship in the short film "Lu Mian".Starting from the script writing,combined with the use of the environment,props,and long shots in the actual shooting process,as well as the design of the montage rhythm in the later stage,it has a profound impact on family emotional relationship.The audiovisual language expression is discussed.