Local Expression Of Grand Narrative

The founding of the People’s Republic of China in 1949 opened a new page in China’s political and economic system.Under the call of the country,in order to meet the needs of political propaganda,the artistic creation of grand narrative has been emerging in endlessly.In the early days of the founding of New China,the country paid great attention to thematic creation project,which was mainly rooted in its historical appeal.In the process of development,Fujian,as the "frontier of coastal defense",also attaches importance to the development of the situation to meet the needs of thematic art creation,which has its specific historical rules.The development of thematic creation,is largely dominated by the state,and along with the political measures of the central government have to break out of the trend,and according to the overall political environment,important events,and combined with the general characteristics of thematic art creation to present this time,we fujian thematic creation can be divided into four stages are discussed: The first stage is the 17 years of new life in the early years of the founding of New China,the second stage is the period of the "Cultural Revolution",the third stage is from the "Cultural Revolution" to the early stage of the new period,and the fourth stage is from 2005 when the state carried out the "Implementation Measures of National Major Historical Theme Fine Arts Creation Project".Then,it analyzes the influencing factors of local thematic creation with examples,and finally summarizes some significant characteristics of fujian thematic creation in the development process since new China.This paper focuses on the art events,art exhibitions,important art works and art projects related to fujian thematic art creation from the perspective of iconology,sociology,philology and psychology.This paper expounds The Times style and regional characteristics of Fujian in the development of thematic art creation and its cultural influence in the process of development.Previous thematic study of modern art,xi in the microcosm of the fine arts events in order to confirm the macroscopic art historical events,and not from the real ontology,this paper tries to get rid of a single central determinism or "administrative integration" mainstream art view,try from the social background and the source schema,art events,evolution,style,etc.,It restores the overall picture of the development of thematic art creation in Fujian,and reflects the relationship between national literature and art policy and local area.This article aims to reveal and explore the internal mechanism of thematic creation in the development of cultural "edge" region like Fujian,including creators,some basic rules of artistic activities,and the local characteristics of visual images.At the same time,for this special theme,in the small environment of Chinese society,how to internal reception,digestion,deconstruction,self-adjustment,independent transformation of the central ideology is interpreted.