The Study Of Han Yuefu Poetry Review In Qing Dynasty

The criticism of Han Yuefu Poetry has experienced several generations,and it has been quite prosperous in the Qing Dynasty.A large number of anthologies and works about Han Yuefu Poetry have emerged.Especially,it is worth paying attention to the Yuefu Poems in Qing Dynasty.In my opinion,among 213 kinds of poetry collected in Qing Shihua,Qing Shihua sequel,Qing Shihua sanbian and Qing Shihua Quanbian ·Shunkang Yongzheng volume,there are 46 poetry related to the criticism of Han Yuefu Poetry,accounting for a quarter of the total number of Qing people’s Poetry.These works of Han Yuefu Poetry spread in different periods,almost throughout the Qing Dynasty.Compared with the previous dynasties,it has both inheritance and innovation,which can be described as the integration and summary of Han Yuefu criticism.Therefore,the research on the criticism of Yuefu in Qing Dynasty poetry will undoubtedly help to enhance the in-depth understanding of Yuefu poetics in Qing Dynasty,attract the attention of academic circles,and further promote the research of Yuefu poetics in Qing Dynasty.Add: understand the concept of Yuefu in Qing Dynasty,sort out the acceptance of Yuefu in Qing Dynasty.The first chapter is mainly about the criticism of Qing Dynasty poetry and Han Yuefu poetry.First,it summarizes the number and dynasty distribution of critical poems of Han Yuefu in Qing Dynasty.Among critical poems of Han Yuefu,there are23 kinds of poems criticizing Han Yuefu in Kang Yong period,16 in Ganjia period and 7 in Daoguang to Xuantong period.Second,the criticism of categories and titles of Han Yuefu in Qing Dynasty poetry,which mainly involves six types of Han Yuefu poems: suburban temple songs(7),advocating songs(8),harmony songs(18),piano songs(2),miscellaneous songs(8)and miscellaneous songs(2).Third,the content characteristics of the criticism of Han Yuefu in Qing Dynasty poetry,which focuses on the source,style,tenor and skill.Besides textual research on the skill of folk songs,the criticism of folk songs also makes a concrete evaluation on its content,music,words and many other aspects.The second chapter is the narrative criticism of Han Yuefu poetry in Qing Dynasty.First of all,there are twelve poems in Qing Dynasty which involve criticism of Han Yuefu poetry narrative.Secondly,in Qing Dynasty poetry,narration is the distinctive feature of Han Yuefu poetry,which is the essential feature of Han Yuefu.Poetry in Qing Dynasty criticized the narrative structure,narrative language,narrative and characterization of Han Yuefu,and thought that the narrative structure of Han Yuefu poems was reasonable and the narrative language was exquisite,which highly praised the narrative of Han Yuefu.The third chapter is the musical criticism of Han Yuefu in Qing Dynasty poetry.When criticizing the musicality of Han Yuefu poetry in Qing Dynasty,it mainly focuses on the tune of Yuefu and its demise;The musicality of Han Yuefu and the co-writing of words and sounds of the text,as well as the changes of rhyme and rhythm of Han Yuefu poems were criticized.The fourth chapter is the criticism of the source style of Yuefu Poetry in Qing Dynasty.There are two views about the origin of Yuefu Poetry in Qing Dynasty poetry talks,one is from the book of songs,the other is from the songs of Chu,and there are two views in Qing Dynasty people’s opinion about Emperor Wu established Yuefu.The evaluation of the style of Yuefu Poetry in Qing Dynasty poetry talks mainly includes Gaogu hunhao and nonggui huff and puff.