A Study On Poetics Theory Of Liuyi Poetry Notes, Wen Gong Continued Poetry Notes And Zhongshan Poetry Notes

Liu yi Poetry Notes,Wen Gong Continued Poetry Notes and Zhong shan Poetry Notes are the earliest three poetry notes of the Northern Song Dynasty.Liu yi Poetry Notes created a style of poetry criticism.Wen Gong Continued Poetry Notes and Zhong shan Poetry Notes also made foundation-laying contribution of it.Poetry Notes take notes to records story of poetry,poet anecdotes,cited comments of good sentence.,talk about poetry law and revision mistakes of poems.Poetry Notes set up a new style of poetics criticism.Poetry,with its free and flexible system and relaxed tone,set off the upsurge of poetics criticism in the Song Dynasty,and also became the main style of poetics criticism in later poetics.Among the research results of three poetry notes,more achievements focus on explanation the stylistic characteristics of poetry notes,longitudinal combing the development of rheological process of poetry notes.There are a large qualtity of research results about poetry thought of one poetry notes,Few articles involved comparison of text or poetics ideas between three poetry notes.There is still a great study space for the comprehensive,systematic and in-depth comparison of the three poetry content and poetics viewpoints.The text-carefully reading method,comparative method,method and literature research method are been used in this article..Poetics views of three poetry notes are comprehensively,systematically and deeply compared in order to reveal the similarities and differences of their poetic purport.This paper includes four chapters: The first chapter is the comparison of their perspectives on the content of poetry.Compare the subject of poetry,the authenticity of poetry content.Ouyang Xiu advocated the innovation of poetry subject matter,SimaGuang and Liu Ban ' s attitude towards poetry subject matter tend to be conservative.They all attach importance to the conception of poetry,although the emphasis are different,but reflect poets all attaching importance to the intention of poetry.Ouyang Xiu's understanding of the authenticity of poetry content is comprehensive and in-depth,Liu Ban,SimaGuang only involved a small part.The second chapter is the comparison of their poinions on poetic styles.They all commend " insipid " poetic beauty,each has its own emphasis.Ouyang Xiu was partial to "ancient light",Sima Guang prefered "plain leisure Far",Liu Ban was in favour of "clear".Refractive index different aspects of the "inspid" poetic beauty ideal.Compared with Sima Guang and Liu Yan,Ouyang Xiu advocated more diverse poetry styles such as the bold and Ya Jian,reflects the Northern Song Dynasty poetry reform movement.The correction of poetic style of deliberately crafted,humble and soft poetry styles.The third chapter is the comparison of their opinion on conception and poetry creation techniques.In particular,from the conception,language,expression techniques,formal skills.Ouyang Xiu and Liu Ban believe that poetry creation should go through seriously conceive,They opposed rate means.Poetic thought should be fine and ingenious.All three attach importance to the hammering of poetic language and oppose superficial and tacky language.Not only did they opposed vulgar language,but also against eccentric languages which is obscure and difficult to understand.Liu Ban and SimaGuang both opposed plagiarism of previous verses.The application three kinds ofpoetry expressive techniques "Fu,Ratio and Xing".Ouyang Xiu appreciate the "Fu" method.SimaGuang and Liu Ban attach importance to " Ratio and Xing".Poetry form skills such as the word,duality,use of allusions,and rhyme four dimensions of comparative analysis,reflects their attention to poetry skills and thinking.The fourth chapter analysis the status and influence of three poetry notes.First,analysis their similarities and their specific character.The purpose of three poetry notes is chatting and they set humor and lively writing style of poetry notes.In Liu yi Poetry Notes,Ouyang Xiu showed a strong consciousness of historian.Wen Gong Continued Poetry Notes was good at evaluating verses.Zhong shan PoetryNotes is the most myriad,it included a number of research entries.Poetry notes promoted poetics criticism prosperity development.In the history of poetry development,future generations from three Poetry "Recording poetry stories " turn to the direction of "dicussing poetry".Theoretical of poetry notes enhanced,system of Poetry notes tend to more stringent.Ouyang Xiu criticized the three Poetry factions in early Song dynasty and pointed out the direction for the development of Song poetry.Among them,"taking the text as a poem",heavy language Crafts manship prompted Song poetry to stand on its own feet.Sima Guang,Liu Ban advocating implicit,elegant,standing on its opposite embodiment of another force to counterbalance Song poetry.In a word,Ouyang Xiu favors the style of Song poetry,Sima Guang and Liu Ban more inclined to the style of Tang poetry.The Poetics thought of three poetry presents different aesthetic orientation and value pursuit,which implies the two tendencies of exalting Tang and exalting Song,and brews a famous case-thedispute between Tang and Song dynasties the Chinese History of Poetics,influence the development of poetry in the middle and late period of feudal society.There are also similarities in the poetics thought of three poetry,which embodies a certain inheritance relationship and shows a specimen in the course of the development of Song poetry.