Music Analysis And Interpretation Of The First Movement Of F.Planck’s Sonata For Flute And Piano From Musicology Of Performance

Sonata for Flute and Piano FP.164 is one of Francis Planck’s most outstanding chamber music works.For a long time,the academic community has mostly studied it based on the dimensions of musical morphology and traditional musicology.From the perspective of musical performance,this paper conducts musical analysis and performance interpretation of the first movement of Sonata for Flute and Piano,and expounds it from three aspects: historical text retrospection,visual analysis of musical text and interpretation of playing text.The first part is retrospection of historical texts.This chapter focuses on the historical background and text tracing of the works.Through the creation process of the work,the mining of the original music data and the sorting out of different versions of the music,the changes in the performance and research process of Sonata for Flute and Piano are grasped,and the value and significance of the work is explored.The second part is the visual analysis of music text.This chapter focuses on the visual presentation and analysis of the musical structure,melody,harmony and rhythm of Sonata for Flute and Piano.Mainly from the sound text,combined with the study of music text,through the computer visualization impression parameter analysis method,using the online analysis platform Vmus.net software program for music conversion and analysis,generating the speed-intensity curve,IOI deviation curve and music worm graph,analysis and comparison of different players’ sound text music characteristics.Through the visual analysis of music text,grasp the music structure of the work,summarize the music rules and characteristics of the work.The third part is the interpretation of the playing text.This chapter focuses on the performance details,performance skills and other aspects of the work.Through the analysis and research of the historical text and musical text of the work in the first two chapters,the style and characteristics of the work are grasped,so as to realize the unity of music connotation,emotion,playing skills and personal style in the performance,and realize the performance interpretation in the real sense.