Cui Bingyuan is a famous composer in modern and contemporary China,an outstanding contribution expert in Shaanxi Province,vice chairman of Shaanxi Musicians Association and head of Shaanxi Philharmonic Orchestra,and vice president of Xi’an Conservatory of Music.In his nearly 50 years of creative career,he has published many excellent works,involving piano,symphony,film and television music,chamber music,opera and other genres and themes,especially the piano works,which are profound and clear in title,endowed with music and humanistic narrative,showing the eclecticism of Chinese and Western creative methods,and presenting the early and mid The development of diversified music creation that is different from each other and connected with each other forms its own unique music creation vocabulary,style and purpose,which has artistic research value.This article selects five piano works "Tibetan Sketch"(1986),"Xi Tong"(1987),"Xiangchang"(1986),"Qin Terracotta Warriors"(1995),"Wuhan Sketch"(2020)created by Cui Bingyuan in the early and middle period for systematic research,through demonstration analysis and induction of music.The technical phenomena presented by the ontology,the creative tension,and the artistic refinement of traditional Chinese music elements,the most broad,diversified and modern creative characteristics presented by the chewing works after the blend of tradition and modern and contemporary consciousness.The chapter structure of this article is divided into three parts,including the introduction and the text(including chapters 1 to 4)with a conclusion.Introduction,including the origin of the study,the current situation of the research,the content and the method of the research;the first chapter of the text,the overall description of Cui Bingyuan and his piano music creation;the second chapter,the systematic analysis of the five piano works,the comparison of different works created in different stages;the third chapter,based on time,combined with individual examples The text summarizes the pen and ink of different creative technical forms,and provides analysis,interpretation and performance suggestions;Chapter 4,clarifies the composer’s inheritance and innovation of a variety of creative factors,a variety of composition techniques and special personalized development advantages in music creation;finally,the conclusion. |