The Aesthetics Study Of Chinese Contemporary Folk Music

Ballad is a form of folk literature,Shadowing the changing history and social livelihood.It spreads in the folk with its own characteristics.Chinese contemporary folk music follows the concept of "folk",owning "folk",free,simple,less dependent on the accompaniment.There are new development features,such as the theme is more abundant,accompaniment tools more diverse,the main body of the show presents hierarchical characteristics,more modern means of communication and so on.Chinese contemporary folk music,in the content embodies the straightforward emotion,individual narrative way,through seeking truth to seek the aesthetic characteristics,the pursuit of simple,not flaunt technology,"deliberately" to avoid college-style arrangement and singing skills,in the form of performances to acoustic guitar as the representative of the instrument,the singing venue is simple,the pursuit of field effect,not seeking ambitious,do not seek gorgeous choreography.Chinese contemporary folk music representatives are Taiwan folk,campus folk,urban folk,"new folk" music.In different times and social background,they have their own unique aesthetic characteristics.Taiwan folk of the rural atmosphere,campus folk of the romantic style,urban folk on social feelings,"new folk" music on the individual's attention,give people aesthetic enjoyment,and there is a certain aesthetic value.Folk music in today's society is causing more and more attention and love,but also with their own problems and shortcomings,for example,the campus folk of the elitist tendencies,the growing commercialization of folk music,folk music lyrics negative nihilism tendency and evasion of ideas,pseudo-folk songs.In this paper,through the literature combing,works collating,concept analysis,aesthetic research and other methods,I strive to give the above analysis.