The Director Of The Documentary "Mountain And City"

China’s modernization,especially the rural modernization,is different from the West in that the state stands at the top level of rational planning,and the subjectivity of promoting modernization is very clear.When the state is an external force,especially intertwined with the fate of millions of farmers,farmers’ understanding of national policies also has its own subjectivity,so it is more important to respect farmers’ subjectivity.We should give full play to the role of poverty alleviation.In recent years,the research of farmers’ subjective consciousness is still focus on theory.Most of the farmers in the field of literature,film and television are stereotyped,conservative,superstitious and stubborn.Based on this situation,the film and television creation should focus on the exploration of farmers’ subjective consciousness and aim at the ordinary farmers involved in the flood of the times with objective and real language.Nowadays,in the process of poverty alleviation,the image of farmers’ life is trying to see the big from the small.In the process of shooting the film,the author uses the creative mode of the new documentary movement for reference,truly records the conflict,compromise and adaptation process of Zhang’s family,focuses on digging out the inner emotional changes of the characters and respecting their subjective consciousness,so as to explore how the farmers are when the national forces intervene in the rural modernization and the fate of the farmers.How to digest and accept,in the process of improving the external environment,whether farmers will have a new emotional identity with the country.Combined with the creation content of the film,this paper analyzes the film from three aspects: the embodiment of the documentary’s subject consciousness,narrative and audio-visual techniques.In addition,this paper also analyzes the shortcomings in the production process of poverty alleviation rambles.