The Study Of Chinese Literature Ecology In The 1950s

This paper is based on a large number of textual research of historical data, especially for those who have not often been studied focus diaries, letters and the author for the text of the modifications, such as the emphasis on personal vision of material combing, to re-examine the 1950 s China(1949- 1959) literature ecology in a holistic perspective, and committed to establish a literature ecology in the micro landscape vision for this period, this dissertation intends to study and reduction China’s literature ecology in the 1950 s, starting from the perspective of personal, in this field,Chinese contemporary literature have been existed in "political" and "to politicize the literary’ for a long time,so an interpretation was necessary to supplement and correct. This paper try to make a return to the historical scene, with exclude that presupposition, perspective from the surrounding environment to the people in the environment, from group to individual; explain the historical change from linear single factor causal relationship to mutual connection of multiple causality. Compare this way to interpretation the history to the previous rough lines of history,we can not only reflect the historical significance of individuals in the history, but also reflects the personal life trajectory of some of the functional events. In literary studies, this kind of change reflects began to frequently used to the "works" which is faced to the public as the research subject of research for reflection, instead of those which are from a series of personal history, as the subject of the study, it will be combined with literature, discuss the tension that exists between the literary phenomenon the heart road course, in this relatively unfamiliar area, and strive to explore the complex interaction between the individual and history.The view of personal, in the 1950 s, Chinese literature ecology can supply the original research achievements, from another perspective to observe the 1950 s China’s literary and intellectual, back to their own context, to understand the love they have for New Republic. In addition, this study is a practice in the field of the "view of history of Modern Chinese Literature", the "view of history of Modern Chinese Literature" is based on the modern nation-state, which is committed to build a communication of modern and contemporary two field of literary history, this paper in the process of argumentation are the the literary history feasibility in the process and rule of microstructure and demonstrates the development of literary history and its advantage. At the same time, the literary history vision is the discusses a basic starting point.This paper consists of five chapters: introduction, summary and the main body. The main points are summarized as follows:The introduction part: this part focuses on the previous studies on the 1950 s China literature and diaries, letters and other personal material review, and the definition for the basic concepts which are involved in this paper to understand the topics in the field of basic dynamic.The first chapter mainly about a holistic perspective to depict in personal view of the Chinese literary in 1950 s, this for this period of literary ecology system of investigation is necessary, which is help to making an overall grasp in the course of the study of the Chinese literature ecology in 1950 s. But this sort of not only the diachronic behind the diachronic the investigation is the fracture of the times and in studying it often become an important reason for can not well-cutting in the object of study, so in a diachronic clues outline the process need to grasp the lasting behind a total of emotion and the emotion with the advance of time is how to change, and to study in the perspective of personal, for literature ecology as a general cognitive. This part to the diachronic warp, to a total of weft from point of view of personal vision of look back ten years in mainland China in the 1950 s, to describe a personal vision for the overall impression of Chinese literature ecology in 1950 s.The second chapter mainly discusses the influence of the great environment of Chinese literature in the 1950’s in the literature ecology. In the forming of the literature ecology, the environment is a prerequisite properties, it can be regarded as literature ecology subsisted succumbed to the "air", in the "air", literature ecology in all the main body can be formed, and the formation of a variety of relationship, in this relationship network, all sorts of phenomena in the literature ecology to unfolds. This part tries to focuses on writers in adapting to new cultural and political environment in the process of fit and conflict, promote or obscured, and in the new environment and cultural resources to a new concept of re integration of process for the influence of the writer’s personal, from the writer’s personal view and the relationship between the environment of.And make an exploration the relationship between writers and the era of cultural and political environment in the context of personal.The third chapter mainly discusses the influence of the production control mechanism on the literature ecology in the 1950’s of the new China. Obviously, this effect is very obvious, but the relationship between the individual and the mechanism and not the kind of completely permeates the or reflection of the type of relationship, individual in the production-control mechanism of the formation of all the rich functional behavior is an important source of tension in this moment of the study. This part tries to make a study on the individual horizon of literature production control mechanism, to explore which role the production-control mechanism plays, and how the mechanism behind the power discourse on the subject of literature did to make a favorable or unfavorable influence.The fourth chapter is mainly to examine what the writers have to face in the process of engaging in literary production all sorts of human relations directly or indirectly influence on writers and their creation, also these effects also changed in the Chinese literature ecology in the 1950 s starting from the angle of "human". Literary ecology itself is a kind of relationship, which is the relationship between people and people. In the 1950 s Chinese literature ecology writers and groups, writers and relatives and friends as well as writers and other people constitute the layers of the rich, all kinds of relationships are intertwined, so that in the 1950 s, China’s literature ecology showing its unique features. The essence of literary ecology is a network of relationships between different relationships, and the relationship between people is the most subtle part of the network.In the fifth chapter, it is discussed that in the 1950 s, in China from domestic and foreign some significant political and social event to impact writers, people’s lives impossible from society, occurred in the field of social events for writers and literary ecological impact is very huge. Through the research for a view in the 1950 s, we can see how the domestic events matters with modern nation-state, which is both impact for individuals and for the literature ecology overall.The topics in the discussion note for personal vision and personal material comprehensive utilization, and on the significance of subject established the status of these materials: these materials often scattered in all kinds of research, or as evidence to analyze literary text, through to the comprehensive use of these materials, this topic aims to return to the context of a text generation. In addition, the topic tries to of a writing on the history of Chinese literature, especially in 1950 s in China, to transition from "history" to "history of the people" with the literature ecology ideas, and with the existing classical representation can complement each other, can do some help for the present literary history studies.