Autumn Wan Shan

Ladies Traditional Chinese painting is an important figure in the painting subjects, it depicts the performance of beautiful young woman as an object, using the traditional pen and ink techniques to create unique artistic value of the image of women, conveying a particular aesthetic interest and Culture to people, the figure in the history of important research value.Tang Dynasty Ladies draw characters or words in terms of technique, and have reached a peak in the history of Beauty Painting, which is recognized by the academic community. Ladies draw in the number of Ming and Qing achievements of the former ladies of this ancient art can not be compared, once again, following the peak after the Tang Dynasty. However, the academic study of the history of the Ming and Qing paintings, limited to the"People Portrait"from the Song later would be"less than the ancient past", the decline of the situation, while landscape painting, bird occupies the dominant position of the Ming and Qing painting, which, ladies draw Did not arouse sufficient attention. This article is based on this, it is necessary that the depth of the Ming and Qing paintings of beautiful places to explore and research, in order to be able to draw on the Ming and Qing ladies have a correct understanding.In this article, the image analysis based on the integrated use of sociology, history, literature, comparative science and other interdisciplinary theories and methods discussed in the following four aspects.The first chapter presentation prevalence of the Ming and Qing paintings of beautiful. Lady in the main view of the existing paintings and ancient history painter ladies sort and organize the situation, select the number of the book contains information and relatively comprehensive statistics on work literature, forms listed by way of comparison with the former the ancient Ming and Qing paintings and painters The number of cases. Derived from the probability of the Ming and Qing ladies on the paintings and the number of artists far more than the sum of the number before the ages, even a few times, several times in history before this combined. As an example of the Ming and Qing paintings of beautiful paintings in the history of the Chinese ladies once again after following the peak of the Tang Dynasty.The second chapter the prevalence of the Ming and Qing paintings of beautiful social background. Discussed from four aspects: human liberation, luxury style, and woman and the public consumption of art. After the Ming Dynasty, The Rise of Wang and Li Zhi",Desire is heaven",the great heresy, set off a"go medieval"great liberation movement of humanity. The text of spiritual counter-ethics hold high the banner of the people, certainly,"lust","good goods","people daily that road", the credo of life, led the entire community is extremely fanatical pursuit of material pleasures. On to the emperors, down to the common people, all immersed in the exquisite luxury of life, especially consumption and woman is keen, but also makes much brothels flourished. Public art has reached its peak at this time, all kinds of romantic novels, pornographic novels overwhelming to meet people's fantasies thinking spiritual reverie. This is erotic art, including paintings of beautiful, including the social background of unprecedented popularity.The third chapter discusses the Ming and Qing paintings of beautiful unique artistic features, there are four points:"Autumn Wan Shan", resident, frail and bookish. To analyze a large number of ladies in this chapter mainly paintings, compared with the previous Ming and Qing paintings of beautiful ladies in this ancient image of the differences between painting, poetry and related analysis prove that the four characteristics of the Ming and Qing paintings of beautiful unique image features .The fourth chapter discusses the cultural connotation of the Ming and Qing paintings of beautiful. After the Ming Dynasty, a large number of scholars have abandoned the move is not official business of life toward marketplace, they are no longer a"good scholar official"as the only platform to achieve the value of life. While sad unsuccessful career, but after this shift has been a free marketplace and enjoy this world a happy life, and feel very satisfied, and thu"sAutumn Wan Shan"in this meaning is completely different from the previous woman scholar by Qiushan see donation of self-injury, and seem to be the freedom of personal liberation literati self, a synonym for the abandonment of the community. Ming's personal liberation, but in reality the liberation of the male personality, even sensual, but more and more women's detention was harsh. Consumption of men and woman have become very weak physically and mentally, the necessary requirement for the consumption of women more vulnerable than their own, even morbid, in order to show their own image of the tall and strong men. Their anti-decency and propriety, against"a woman's virtue to be ignorant", the concept of painting dedicated to the cultivation of female poetry, and women took the initiative to meet the author is still a good, positive efforts to learn poetry painting, practicing self-cultivation of temperament in order to Poetry can sing with the Scholars.In short, the Ming and Qing Dynasty paintings are paintings of beautiful ladies in the history of the peak once again, ladies shown by the image is very unique, with a picture of this ancient image of utterly different ladies, these are the social and cultural background and has a very strong internal Contact.