Modernization Of The Evolution And Movement: Chinese Art

Thc foundation or the rcscarch or Chinese fine arts modernizat ion is howChinese fine arts heads for modernization from the tradi tion.The dissertation is based on the stand of Chinese cultural department.It tries to present the keynote in the process of Chinese fine artsmodernization in the way of moving presentation and to fix their ownsubjects in every stage. The bas ic nature of Chinese fine artsmodernization progress is that it has its own independence and its ownway of expression. Yet every partial change was influenced by the westernculture from different classes and in different way, and queried anddestroyed the tradition from various angels.In the progress of Chinese modern fine arts modern subject is not a"single-line extension", neither does it unfold in the way of "separateacts". The concept of "separate scenes" might be more suitable."Separate acts " is a time-continuing concept;"Separate scenes" is aspace-changing concept. Every movement of modern Chinese fine arts isnot connected to one another and the complicated degrees also varied.Maybe in a certa in time the occurrence and the development of the movementswould appear to be the logical link of a causal relation, but mostly theyunfolded staggeringly, existed at the same time and developed together.This thesis seizes the thread of the occurrence of the movements so asto expose the alternate relation of cultural patterns in the wholeprocessing array.Basing on the comparative research the thesis tries to seek and presentthe internal logical relation through arranging and stating the phenomenawith structural theories. The two fundamental topics in the narrativeframe lie in:1). Chinese fine arts modernization is the result of the interaction ofmodernization and counter-modernization.2). Chinese fine arts modernization is a spontaneous multiply divergingmodel system.Therefore, this thesis studied the Chinese fine arts modernizat ion as themoving exchange of multi-coexistence in modern circums tances. It putsforward the research methods of" resources reformation" and multi-model.It advanced the theoretical analysing pattern of" external shock-internalreaction-structural conformity". It pays great attention to thenonpr incipal elements of modern fine arts development. The thesis holdsthe view that coexistence and mutual derivation of multi-model makeChinese fine arts a continual process from the tradition to modernization.Tradition and modernization are just relative structures in the empiricalworld. In concrete stating the thes is lays stress on the primaryliterature and pattern material. Frequently it puts forward theamendments to the statements of some contemporary scholars.