Multifarious Horcin Speaking-Singing Literature Of Mongolia Minority

Horcin Grassland is an area where so many minorities reside. In history, there were many minorities such as Donghu, Wuhuan, Xianbei, Qidan, Nuzhen, Mogolia and Han living in here continuously and thus left us large amount of heritages of culture, which now turn out to be sufficient materials for us to study the development and changing of the literature of Mongolia Minority. It is thought that this area is one of the cradle lands " Liao Culture" and "Xianbei Culture". It is the hometown of the famous Queen Xiaozhuang, General Sengelinqin and the distinguished nation hero of Gadameilin. The region is especially famous for the Horcin folk songs, Andai dances, Mongolia speaking-singing art, Wuliger and HaolaibaO. And so it is dominated as Folk Quyi Home, Folk Print Home and Andai Home by the government. The regional culture of Horcin is one of the most important components of Mongolia Grassland Culture. As a typical representative of this culture, Speaking-singing art should be paid more attention to so that we can get much more understanding of the culture from the region to the whole Mongolia Grassland culture.Speaking-singing are is not only a kind of performance but also a literature style. To most of Mongol it is rather called as a state of literature and living style. The coursers and mild tea hold the same function in the daily life of the nation as the role the Speaking-singing art plays. But as such an important kind of regional culture, Horcin Mongolia Speaking-singing art hasn't been studied scientifically in phase of its important role. Several reasons make the result. First of all, during the developing course, Horcin Speaking-singing literature underwent great changes and it has been absorbing and permeated other nation's culture so that it is still in the state of changing and developing. The most difficult thing is how to define its origination. Second, though it is a typical ethical culture of nation, it is rather difficult to unearth the detail inner meaning of a nation merely through the certain style of its literature. But we know it is a real challenge that the status of the Mongolia Literature offers us. Meanwhile it alsobears the significance of the study of this art.This essay takes the Horcin speaking-singing culture as the research object and it is divided into three parts. The essay draws the outline of the speaking-singing culture of Mongolia, namely, cause of formation, structure and development so as to paraphrase this special culture with the contemporary explanation.Part one acts the exterior research on the subject. That's to say from the macro point, the subject studies the exterior cause and the internal factors which cause this art to come into being on the background of the economy and culture of Mongolia. The main purpose of this essay is to establish the coordinate of the Horcin speaking-singing culture so that the contemporary significance of this art in the cultural anthropology can be confirmed much more easily.Part two of the essay concerns the interior research of the Horcin speaking-singing literature. The essay analyzes the inner genes of the speaking-singing culture stratum by stratum. It emphasizes the research on several features of the culture's language, the musical features, the habits of folk custom and the tropism of value in order to prove the possibility of establishing a study of the formation on the Horcin Mongolia speaking-singing literature.This subject adopts many methods for its research such as cultureology, anthropology, sociology, nationology and history and all these methods are carried out through the chapters of the essay. The essay's conclusions are these: first, the Mongolia literature is a process of permeating of various cultures and Horcin speaking-singing culture is the us a concrete revelation of the diversity of culture. Second, Horcin Mongolia speaking-singing culture is no different from other kind cultures, which realizes the function of understanding and educating by means of aesthetic function. The third, this speaking-singi...