Narrative Carnival And Aesthetic Variation

This text with culture localization and aesthetic principal part for basic position, application the method of compare narrative, analyze in globalization between the western modern narrative theory and the China traditional narrative theory with conflict and amalgamation. Pass the dissection with the horse is original, remaining Mayuan, Yuhua, Moye, Sutong, and Gefei, for the representative's Chinese contemporary vanguard narrative character and aesthetic predicable, probe into the Chinese literature countermeasure and outlet.Introduction: The first, with analysis of the narrative theory such as widespread and abstract person, describe the corpus, technique corpus etc, the author holds tight the culture innate character that the narrative theory with the worth a view in literature; The second, joining together the cloak-and-dagger and actual circumstance in Chinese contemporary vanguard, the analysis that the human theory of the narrative theory deep influences vanguard novel and describe technique etc., put forward the Chinese contemporary vanguard and the west narrative theory " alternate with connecting", embodiment the different choice between China and Western by background descend of 80's of 20 centuries human theory.Chapter one, dynamicly describing narrative theory accepts the context with accept the process, analyzing the western words in inside in this process language hegemony with the deep layer reason of the race words language imperfection, the author points out to narrative theory China accept existent to the west turn the inside, with inside certificate west, neglect the race aesthetic experience and the culture tradition, proceed the technique level simple type ratio etc. culture attitude with the mistake area of the method, and" with Chinese voice" for headline, recounted to learn the investigative condition to China to proceed with main result the necessary comment.Chapter two, analyzing west narrative theories talking about influence to Mayuannarrative trap with the angle of view from the narrative personal, attitude and angle. The one is original" narrative the trap" in the outstanding description corpus, experiment the west novel describes technical, the other is that downplay to aesthetic body and the life consciousness of literature, neglect the race life experience with recount the traditional fatal weakness in literature. The affirmative literature is a life to learn first, then is just technique esthetics.Chapter three, analyzing narrative time of Yuhua's novels, we put forward a conclusion that presents two mutually contacting from his three stages such as vanguardperiod, 90's early and middle of 9O's:The narrative pleasant sensation------theresurrection of oneself------person of the ego of the description; apathetic time------experiences personally------vital time. With the turn from the western modernismliterature principle to contemporary and realistic culture in China, considers from the abstract human nature the change of the realistic life concern in direction, we can announce Yuhua who comes through from the childhood that write to the hand writer, then arrive the process of growth of the excellent novelist.Chapter four, aiming at criticizing boundary concerning Moyan talking" folks composing" from the narrative theoretical angle and his writers1 standpoint and utterance from elite culture to flock culture, the author brings up Moyan' inspirit solid is fake folk utterance context, fake folk narrative and fake folk standpoint, and the " folks composing" is void.Chapter five, basing on ideology, national feature and form technique, Sutong's writers which exquisite and poetry are deep contracted with Jiangnan's culture, Chinese narrative culture. At same times, we analyze Gefei's novels that have narrative technique of classicality imago and narrative method. Both two writers' inherit from Chinese narrative traditional culture can clairvoyance the conversion from tradition to modernization.Conclusion, put forward the Chinese literature face the global condition wanting to be with the Chinese independent body, taking own culture character, participating literature developments of world with culture developments, for this, we must insist three return with three holdouts: Return to the native culture position, resist the westernwords language hegemony; Return to the literature aesthetic body, resisting the abstract description corpus; Return to the human life consciousness, resist the pure technique performance.