A Study On Chinese Traditional Painting In "17-year" In New China

This paper has studied mainly on the "17-year" Chinese printing, it begins with the development of the "17-year" Chinese printing which present on the devious evolution. This evolution included two period of flourishing time which is the former 50s as well as the time between the end of 50s and beginning of 60s, at the same time, together with the low descended time in 1957, the reason of this situation is caused mainly by the variety of state policy. Then the paper followed by the exploration on the social reason of the "17-year" Chinese printing, including three aspects, i.e., the directed thought of art development-"literature serve the workers, peasants and soldiers", the single creational way of socialism and realization, the expression unification of socialistic ideology and nation-state. This paper considered, in the direction of "literature serves the workers, peasants and soldiers", Chinese printing cannot avoid being reconstruction, accordingly, bringing forward two main way in rebuilding the Chinese printing, that is, thinking creation and embedding life. In addition, because the single creational way of socialism and realization were affect by politics, it was deviated from realization, therefore it became the centralized speech of "solecism". At the same time, in the thought of state consciously creation of socialistic Chinese national literature, Chinese paintings were used as one symbol for the content of solecism and the formation of nationalism, among them, how the national modality of Chinese painting adapted to the need of socialistic content had some evolutional processes, during this processes, Chinese painting gradually formed the era style and color of "17 years", however, the principal language of Chinese painting was further dug up and writings were turned up with the age . Then the paper probed into the situation and creational mind of Chinese painters, deemed that, one side the formation of "17-year" Chinese painting was the reason that the external situation urged the painters of that time to fit it, on the other hand, due to they themselves identified with the new china, this subjectively spurred the formation of "17 years" Chinese paintings. Based on the above discussion, this paper summed up the artistic characters of "17 years" Chinese painters. Then outspreading from two sides, i.e., the behaved language and pattern format, from the behaved language the "17-year" Chinese painters mainly absorbed the west writing technique as well as pen and ink innovation formed during sketch, while from pattern format, the "17-year" Chinese painters absorbed Chinese old -aged artistic writings and principal part painting from Soviet Russia, and formed unique styles after combined with era language situation of "17-year".At the end, the paper concluded the meaning of "17-year" Chinese painting, deemed that, on the basis of the inherited integration of "china and west" since 20 century, "17-year" Chinese painting was the important step of Chinese painting from convention to modern times. The creational principle of realism emphasized on the life, this caused Chinese painting turned from negative avoiding the word to active joined the world, and changed the artistic conception of conventional Chinese painting, bring the prospect and development of individual portraits, in behavior, "17-year" Chinese painting thought much of sketch, therefore, changed the ethos of similarity of Chinese conventional since the Ming and Qing dynasty and renewed the life of Chinese painting, furthermore, it created new manners and styles under the summon of "pen and ink should follow the era", in this manner, emphasis on pen and ink has become the era motif again.