The Evolution Of Vision Scheme

Based on the evolution of vision scheme, this paper reorganizes and combs the development of Chinese Landscape Painting creation in the second half of the twentieth century, which is not only a special transition time full with various contradicts, but also a explorative time that new old taking turn. It includes art-politics period (from 1950s to the end of Great Cultural Revolution), new tide art period (after center later period of 1980s), period of art spirit returning and style transferring in Chinese Painting (the last ten years of twentieth century). At the same time, embodying in vision scheme of Chinese Landscape Painting, there also appearances three kinds of style-orientation: some painters, who modeling foreign art find their way in combination of western and Chinese art then make prominent success; some painters insist to the Chinese traditional art and also make important progress which is different from western art structure; the other painters, who borrow pure western art idea to reconstruct Chinese traditional art, especially in ink-brush taste of Chinese Scholar Painting, and presents a new great modern scheme. All of those ways mentioned above, shape a new developing pattern of Chinese Painting, a pattern performances as supplementary coexists and various approaches in deeply research.